Review by Morpheus Kitami for Deep Purple - Deep Purple in Rock (1970) Review by Morpheus Kitami for Deep Purple - Deep Purple in Rock (1970)

Morpheus Kitami Morpheus Kitami / September 02, 2023 / 0

Now we get to Deep Purple with Ian Gillian, the vocalist that's all anyone knows. Where Deep Purple is usually considered to be a metal band. I don't know about other albums, but this ones strikes me as something metal enough to get a metal/hard rock label so many lesser bands end up with. A lot of bands wish they had the energy these guys have. This isn't like a lot of their radio hits where it feels like a lot of the band is phoning it in. I don't think this would be nearly as controversial if it weren't for the band's status as more of a classic rock band.
The weirdest thing about this album to me is how good Ian Gillian sounds to me. I've hear a lot of stuff on the radio and despite what you might think, I kind of loathe hearing Deep Purple. There's a very phoned in quality to his voice. Like some exaggerated method of how a "rocker" should sound; barely following along and barely singing in tune.
Which makes it feel strange that the whole album has more of a rawer quality than I'd expect. And there's this weird contrast between epic organ intros and solos with the raw regular stuff. Practically like two different albums at some points. I suspect a lot of people were influenced by the harsh jump between the intro and the first time Gillian opens his mouth on Speed King. This all implies it doesn't work, but it does. Certainly, the songs which maintain a more consistent tone like Flight of the Rat or radio favorite Child in Time are better, the more varied ones still feel connected despite their deep contrast.
I liked this one. We'll see how the band does in the future because a lot of those albums are kind of meh and not really metal.

Comments (0)