Review by Morpheus Kitami for Darkthrone - Astral Fortress (2022) Review by Morpheus Kitami for Darkthrone - Astral Fortress (2022)

Morpheus Kitami Morpheus Kitami / August 26, 2023 / 0

Before I realized this was Darkthrone, I at first assumed this was some weird-ass Venom-style black/speed outfit, then a This is Spinal Tap-style parody of black metal. That's the kind of album cover a parody band would use. Then I noticed the band name.
Well, like politics, black metal is impossible to lampoon.
This is a very weird album. Were atmospheric black metal not taken for stuff like The Summoning, this feels like it would fit that name well. Black metal production and techniques used at a much slower pace. Where tremolo picking would be used, one single note is used instead. This makes it very noticeable when the album does use tremolo picking. At no point does the drumming go above a walking pace. The growling has an almost ethereal quality to it, unlike any kind I've heard before.
The writing is kind of bland. It seems aimless, possibly by intention. It starts off okay, with the kind of atmosphere you'd expect, but then we get the first solo of the album. I don't know who played it, but it's not good. A half-hearted attempt at regaining the kvlt faction, perhaps with it's strange aggressiveness. Then after another long verse, close enough in sound to the first as to make no difference, there's another solo, closer in tone to what you'd expect, but at this point feels meandering. The song finally ends with what can only be described as a very slow series of tremolos. While the album has more interesting songs on it, like Impeccable Caverns of Satan, most seem to follow this template.
I found this didn't really appeal to me, much in the same reason a lot of melodeath doesn't. If you're going to combine extreme metal with heavy or power metal, it's better to do something like Satan's Host where far less hostile sounding music with clean vocals gets hostile sounding music. Mundane sounding music makes growly vocals goofy.

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