Review by Shadowdoom9 (Andi) for Marilyn Manson - Antichrist Superstar (1996)
Marilyn Manson is not a band/artist that should be underestimated. With aesthetics and themes of cross-dressing, anti-Christianity, cabalism, elitism, and horror, I wouldn't expect a lot of people close to me to ever be up for such scalding concepts. But hey, whether this material can be considered moral or not, you can just brush away the real haters and let your taste run free for a little bit. Marilyn Manson's second album Antichrist Superstar is a concept album of dark desire! Not pretty, but pretty great...
Fake gore and real emotion is blended together by Manson, and helping out in the sonic production is Nine Inch Nails' Trent Reznor. The dark vibe of the album makes it almost suitable for horror movies like The Shining or A Nightmare on Elm Street. Manson can joke along to the strong and scare away the weak.
Starting The Hierophant cycle, "Irresponsible Hate Anthem" has Manson's taunting growls, and his singing sounds so sinister. One highlight that you can truly appreciate is "The Beautiful People". Then "Dried Up, Tied and Dead to the World" that sounds a bit dry in the music, not really as wild as those first two tracks. Ending the first cycle is "Tourniquet" which is OK, but let's hope for some more madness in the cycle...
Inauguration of the Worm begins with the heavy "Little Horn". Then "Cryptorchid" nicely interrupts the buildup by slowing down. We rock on to "Deformography" and Manson's fear-inducing whispers and shouts, "You're such a dirty, dirty rock star... I am the one you want". He shows that nightmares are what all people need, whether polite or angry. "Wormboy" once again kicks things up a notch. "Mister Superstar" starts soft being adding in some Skrew-like industrial. "Angel with the Scabbed Wings" is so good. If only that was a single! "Kinderfeld" ends the second cycle with wonderful industrial beauty.
At the start of the Disintegrator Rising cycle, the title track will make sure you want the album to keep going as long as you like. A captivating song, "1996" can turn the fearful tension into joy. "Minute of Decay" sounds too much like a Linkin Park "reanimation" than anything metal. "The Reflecting God" is honestly quite omnipotent. It describes a dream within a dream more than Inception could, but "you'll understand when I'm dead". Finally, "Man That You Fear" is enjoyable but not as much the previous track. I'm getting a bit tired of haunting repeated line, "When all of your wishes are granted, many of your dreams will be destroyed." The hidden track that appears after 82 silent tracks, "Track 99" is rather pointless. Just drop the album after the final full track and run.
Despite the music not having as much weight as it had on paper, you can find a bit of great grandeur in this industrial mix of the early metal of Black Sabbath, the operatic arrangements of Queen, and the chilling experimentation of Bauhaus. Manson brought together with him guitarists Daisy Berkowitz (RIP) and Twiggy Ramirez (also on bass), Madonna Wayne Gacy on keyboards, and Ginger Fish on drums to make a dark army with a pounding sound. The band, together with Reznor and Skinny Puppy's Dave Ogilvie, produced the album quiet well. With choirs, growls, and synths added to the mix, it's a party that I can leave if I want to, but more often than not, makes me wanna stay....
Favorites: "Irresponsible Hate Anthem", "The Beautiful People", "Little Horn", "Deformography", "Angel with the Scabbed Wings", "Kinderfeld", "Antichrist Superstar", "The Reflecting God"