Review by UnhinderedbyTalent for Testament - Souls of Black (1990) Review by UnhinderedbyTalent for Testament - Souls of Black (1990)

UnhinderedbyTalent UnhinderedbyTalent / December 07, 2022 / 0

Souls of Black was (according to Chuck Billy) written and recorded in a rush to get the band on the European leg of The Clash of the Titans tour with Slayer, Megadeth and Suicidal Tendencies. It sounds like it in all honesty. From the off you cannot fail to hear the scratchy sound to the guitars and the overall compression on all the production, with tinny drums and too much echo on Chuck’s vocals. Given the experience of Michael Rosen in the production chair and the late Tom Coyne covering mixing duties this is a surprising outcome but one that somehow does not entirely ruin Souls of Black.

Over repeated listens, the album has grown on me. It will never be a regular play though because (production issues aside) it is so inconsistent. This must be down to the hectic nature of the album being put together as Chuck describes, even though this is clearly a thrash metal record, it sounds rushed and that cannot be hidden by the sheer intensity of the rhythms that the band deploys. When the band are on point (Absence of Light, One Man’s Fate, Malpractice and the title track) they truly do motor at a huge rate of knots. However, the rest of the album is just filler with a smattering of promise of greater things littered largely throughout the lead work of Alex and Eric.

By comparison, Louie Clemente seems lost in the mix, occasionally bobbing his head above the squall to remind us he is there pounding away. Despite being audible he somehow lacks presence on the record. Greg’s bass is also able to be heard – if not in a muffled sense – but overall, no instrument escapes the poor production job. The most obvious element is still Chuck’s booming vocals that get enough restraint from the production to the benefit of the album overall, but they sound detached from the rest of the band’s performances, like they were over-layered as an afterthought somehow.

Not the best Testament record they have ever done but still has some enjoyable elements to remember even if they are not enough to bring me back for repeat visits.


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