Review by Sonny for Spiritus Mortis - The Great Seal (2022)

Spiritus Mortis are a Finnish doom outfit, formed in 1987 by brothers, guitarist Jussi and bassist Teemu Maijala. They have featured a number of drummers and vocalists, including Sami Hynninen, aka Albert Witchfinder of Reverend Bizarre notoriety, who handled vocal duties from 2009-17 and featured on the band's two previous albums. Despite such a lengthy lifespan, The Great Seal is only the band's fifth full-length. Now, I do enjoy a lot of what Spiritus Mortis do, but I have to concede that they are inconsistent. For me they have been unable to better 2009 's The God Behind the God, the presence of Sami Hynninen elevated the band to another level on that album, especially as it followed the exceedingly disappointing Fallen. 2016's The Year Is One was solid doom metal fayre which failed to ignite the same level of passion as TGBtG despite some decent work from all concerned.

So to current release, The Great Seal, which shows a marked change in style. Here the band have gone for a more epic approach, in the style of Candlemass, which has been facilitated by the addition of vocalist Kimmo Perämäki, formerly of power metal crews Masquerage and Celesty, to replace Sami. He certainly shows off his power metal credentials, particularly on uptempo opener Puputan, so if you are in the market for OTT epic vocals with your doom metal, then this may well be a dose of what you need. I suspect this is the direction the band have wanted to go in for some time, but have had to wait to recruit a vocalist with the skillset and vocal range to pull it off. Much as I love Albert Witchfinder's vocals and prefer them to Kimmo Perämäki's more overblown efforts, this style is technically beyond him and so Spiritus Mortis could never go in this direction while he was behind the mike. The songwriting also seems to have a more pronounced emphasis on melody with a number of the tracks on display here, Martyrdom Operation for instance, exhibiting an almost sing-a-long accessibility and as such it feels like they are aiming for a wider market than that allowed by their previous Reverend Bizarre-influenced trad doom approach. Although this is the case, they don't turn their backs on the traditionalists completely and as the album progresses, it seems to tend more towards the trad style, Khristovovery with it's Sabbathian second half and closing track Are You a Witch, for example, are very much in the vein of their previous material and as such have greater appeal to me personally than the more overblown tracks like Puputan and Martyrdom Operation. The driving short track Vision of Immortality especially, I can imagine being sung by Sami Hynninen, so his influence hasn't been completely erased from Spiritus Mortis' pallette. It must be said that the band are very tight and the playing sounds technically solid with some mighty riffing and some cool soloing - check out the Sabbath-like riff at the mid-point of Khristovovery and the Tony Iommi-influenced solo that joins it. The rhythm section is functional without being much disposed to showiness and as such provides a solid base for the guitars and vocals to weave their more expansive and theatrical magic.

Primarily, if you are more well-disposed to the bombastic stylings of epic doom over the straightforward approach of traditional doom then chances are you may get more out of this than I did. Don't get me wrong, I like a fair bit of what is going on during The Great Seal's forty minutes, but I must admit that I had to work at it over a number of listen-throughs and the album as a whole didn't click with me immediately and I had to find my way in via the trad doom-oriented tracks. I still prefer the two previous releases, but with my well-publicised Reverend Bizarre worship that will come as no surprise to anyone I suspect. With it's almost equal parts traditional and epic doom there is a risk that The Great Seal may fall between two stools, but I suspect the quality is such that doomsters of both persuasions will find enough to enjoy here.