Review by Sonny for Dvvell - Quiescent (2022) Review by Sonny for Dvvell - Quiescent (2022)

Sonny Sonny / October 31, 2022 / 0

Well, apart from three or four fairly decent albums, 2022 has been a lukewarm year for Fallen-related releases as far as I am concerned. That however, may be about to change as Californian four-piece Dvvell come along with their debut album, Quiescent, and tear 2022 a new one! Quiescent is one bleak and desperate-sounding motherfucker of an album that anyone familiar with MSW's Hell project would immediately recognise due to it coming from a similar angst-filled and pissed-off place.

The album consists of four tracks all hovering around the quarter-of-an-hour mark and each named for a family member: Mother, Father, Son and Daughter. Now I don't know anything about the families these guys grew up in, but if the content of Quiescent is anything to go by, then it is unlikely that all was well behind the closed doors of these family homes. Musically, Dvvell combine funeral doom and sludge in an almighty howling roar of anger and defiance at an unfeeling universe that has delivered innumerable injustices upon our protagonists. The tracks are massive-sounding with huge walls of volume seared through by ascerbic vocal howls that shred the listener like corrugated roofing blown loose in a hurricane. There is very little sunlight to be found within Quiescent's hour, the sonic landscape presented being unremittingly bleak and unflinchingly ugly. This is an album designed to crush any hope out of the listener in order to allow them some insight into the tortured and desperate soul of the album's narrative.

Now I'm sure a psychologist somewhere would have a field day with the reasons why, but this is exactly the sort of shit that I live for in my Fallen liistening. This speaks to me in a way that I just don't "get" with so much other music, metal or otherwise. When I first put this album on last week, I felt a shiver down my spine as soon as it became apparent where this was going. As I said earlier, the obvious touchstone for me is Hell and I would suggest the guys from Dvvell are more than a little familiar with MSW's work with that project. Quiescent isn't merely a Hell copycat though, it contains an authenticity that suggests to me that this comes from the heart. It may not sound it, but it is difficult, if not impossible, to fake this sort of sound convincingly and believe me, Quiescent is very convincing indeed. This is an album for those who don't shy away from life's negativity, but rather embrace it and in so doing reach some form of catharsis from going along with it and buying into it's expression. Undoubtedly my favourite album since MSW's Obliviosus in 2020.

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