Review by Saxy S for Machine Head - Of Kingdom and Crown (2022)

2018 was a rough year for Machine Head. Catharsis was a really bad album that managed to unite people on both sides of political spectrum in just how shitty of an activist Rob Flynn is. Lyrics that sounded like they were written by a Tumblr user, but were instead written by a 50 year old man, all performed over an alternative/nu metal soundscape that was the farthest thing from pleasing to the metal ear, or conforming to the Machine Head sound. Now I stood up for that album four year ago, claiming that there were some serviceable songs that maintained the Machine Head identity, while still pushing the boundaries of what this band could sound like (i.e. "Heavy is the Crown" and "Kaleidoscope"), while other experiments just spectacularly failed.

And so, it should come as zero surprise that following a release cycle that almost ended this band, the new Machine Head album, ØF KINGDOM AND CRØWN is a return to form (somewhat) for the band. It's groove centric, melodies are limited but respectable, dueling guitar solos make a triumphant return, and the overall intensity matches that of The Blackening and Unto the Locust. 

One thing that Machine Head maintained from those previous recording sessions were extended runtimes. This is not all too unfamiliar in Machine Head's discography, but this album can be a slog at times. The opening track "SLAUGHTER THE MARTYR" is ten and a half minutes, but could have easily been suppressed to seven and said the same amount. When the album is at its best, Machine Head is calling back to an older sound, while still allowing for some alternative metal ideas to slip in; primarily in the vocal leads. "MY HANDS ARE EMPTY" and "UNHALLØWED" both do this with slower grooves and more somber delivery.

Perhaps that's because the previous songs are both closer to deathcore of all things! Machine Head have been no stranger to breakdowns in their music, but here they feel out of place and extremely unnecessary. Whether it be the dissonant chuggs of "CHØKE ØN THE ASHES ØF YØUR HATE", which also return on the closer "ARRØWS IN WØRDS FRØM THE SKY", or the unnatural tempo shift on "BECØME THE FIRESTØRM". Then there are the lyrics, which thank god are infinitely improved from Catharsis. There is some genuine reflection here that has allowed Rob Flynn to choose his words carefully in order to make an impact and possibly change people. But then "KILL THY ENEMIES" comes on and I hear Flynn speak about white privilege, fascists and cultists and I just tune out. What's more infuriating is that the narrator honestly believes that they are the good guy here when they unironically speak: "I'm asking you to heed the call, kill thy enemies". Whose side are you on: those who say naughty words, or those who carry the blood of their enemies on their hands joyously?

To say this album is an improvement from Catharsis is like saying 2022 has been a better year than 2020. Machine Head would have had to included the sounds of killing puppies and a dramatic reading of Mein Kampf to make an album worse than Catharsis. But that does not mean ØF KINGDOM AND CRØWN is a great album. It sounds more like Machine Head and the experimentation is not alienating to fans, but a lack of fat trimming, less than their best melodies and grooves and questionable lyricism makes it more lukewarm than anything else. The emperor may have a fig leaf, but he is still naked.

Best Songs: MY HANDS ARE EMPTY, UNHALLØWED, NØ GØDS, NØ MASTERS, BLØØDSHØT