Review by Daniel for Thorns - Thorns (2001)

My experience with unique Norwegian industrial black metal project Thorns began in the first half of the 1990’s through their “Grymyrk” & “Trøndertun” demo tapes (1991 & 1992 respectively). I picked them both up through the tape trading scene during the whirlwind of activity that was caused by the early Second Wave of Black Metal & while they each offered me a reasonable level of interest (particularly the latter), neither could be said to have left me completely convinced so I wouldn’t say that I was committed to following the band’s every move at that point. Thorns would pop up a couple more times during that decade when they appeared on a couple of high quality Mayhem & Darkthrone tribute albums (both of which were very solid releases in their own right) however my defection to the electronic scene a short time later saw our paths steering well clear of each other for just over decade after that. My 2009 return to metal would mark a quick reconciliation with Thorns though, first with this marvelous self-titled debut album & then through the 1999 split album with Emperor (which unfortunately didn’t manage to hold my attention much to tell you the truth). But despite being the only Thorns release to command a position in my black metal collection long-term, their self-titled album impressed me enough to not only become a regular in my car stereo at very high volumes both then & now but also to warrant a position in my Hall of Metal Glory for all eternity.

“Thorns” Is a very interesting & ambitious work but it never sounds unusual or avant-garde due to the fact that it so clearly harnesses Norwegian Second Wave black metal as it’s core sound & then builds around it. The industrial elements are less prominent but are significant nonetheless with the influences that are drawn from outside of the black metal spectrum being the key to the appeal of a record like “Thorns”. In truth it ventures further afield than just the Godflesh brand of industrial metal too. Take “Underneath the Universe 1” for example which explores a fully realized & remarkably professional dark ambient sound with emphatically successful results & subsequently represents my album highlight. The way that track’s themes are then rearranged to create the stunning gothic dirge piece that is “Underneath the Universe 2´is quite remarkable (as is the fact that I once again find the two least popular tracks on the album to be it’s pinnacle & centrepiece. What can I say? I’m my own man.) The straight-up black metal tracks are all of a very high quality though & the album’s real strength is in it’s consistency as every track is chock full of class & quality.

The first thing you’ll notice about “Thorns” is the production job which can initially be confronting. The guitars of former Mayhem member Snorre W. Ruch sound quite trebly & tinny while Mayhem/Arcturus drummer Hellhammer’s kit is very clicky & lacks genuine weight. This does buy into the industrial metal aesthetic to an extent though as it gives the album more of a mechanical feel. I found that it definitely took me a listen or two to become fully comfortable with it but I’d be lying if I said that I didn’t appreciate the ability of the clicky kick-drum sound to highlight Hellhammer’s impressive footwork. The vocals of Bjørn Dencker (Dødheimsgard/ Old Man's Child/ Zyklon-B) & Satyricon’s Satyr are a genuine highlight as they both possess that classic Norwegian menace & compliment each other nicely too. There’s a bit of thrashiness about some of the riffs but they never veer far from the black metal model with the classy use of dissonance being a real feature.

Overall I’d suggest that “Thorns” may be the finest example of an industrial black metal sound that I’ve experienced to tell you the truth. Black metal fans that aren’t all that fond of industrial metal shouldn’t fret though. There’s plenty of classic black metal included here & I’d be very surprised if you were turned off by the experimentation with alternative sounds.

For fans of Dødheimsgard, Aborym & Blut aus Nord.