Review by UnhinderedbyTalent for Allegiance (AUS) - D.e.s.t.i.t.u.t.i.o.n (1994) Review by UnhinderedbyTalent for Allegiance (AUS) - D.e.s.t.i.t.u.t.i.o.n (1994)

UnhinderedbyTalent UnhinderedbyTalent / February 18, 2022 / 0

Despite my obvious interest in thrash metal and such related sundries, I do still have a lot of catching up to do in my listening stakes. Just as I think I have discovered everything of note, along comes another previously unheard-of release from ‘back in the day’. Ever since Daniel nominated Allegiance as a track on The Pit playlist one month, I have had their debut full-length lined up for a spin or two.

Let me start off by noting there is promise here. That promise is not fully recognised though. There are a couple of reasons for this. Firstly, although they complement the intense riffing and drumming, I do not find much about the vocals that pleases me. Adopting a throaty gruffness that lacks any of the shrieking tendencies of a Joey Belladonna, whilst being a good bedfellow for the music, makes for a largely flat outing over ten tracks (two of the twelve on the album are instrumentals) and the album for me is rescued by the excellent guitar riffing and lead work. The drumming acts as a solid constant backdrop to the album. Whilst not technically outstanding, it is memorable for its consistency if nothing else.

Secondly, the elements of variation (including those pointless death metal growls) are not frequent enough to make the album all that interesting. The groovy riff to Torn Between Two Worlds is soon lost in the all too familiar intensity of the main thrash sound of the album and as such the album never fully explores these nuances in sound beyond more than fleeting dashes of difference. In some ways it is its own worst enemy for trying to stay so true to what it sets out to do.

A younger me might gloss over this and simply admire the record for its doggedness and determination. The fact is though that I just find this album as being more of a lost opportunity and one that just never truly embraces its own potential.  Nothing sticks with me much barring the piano instrumental that closes proceedings which I am nearly sure is not what Allegiance intended.


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