Review by Shadowdoom9 (Andi) for Atheist - Elements (1993) Review by Shadowdoom9 (Andi) for Atheist - Elements (1993)

Shadowdoom9 (Andi) Shadowdoom9 (Andi) / February 11, 2022 / 0

Atheist is one of the first ever technical death metal bands and one of the very few that could induce some tasteful interest. Their 3rd album Elements was their last album before they split up for over a decade and is more experimental than many other memorable death metal albums.

Those different things include more jazz than heaviness. Kelly Shaefer's vocals are not as death-growly as other death metal bands, leaning more towards thrash. The rhythm section is on fire with booming bass and blasting drums. Elements tear down the walls of death metal and let in elements (couldn't resist the pun) of other genres, alongside the unorthodox intricacy of time signature changes, riffs, and structures.

"Green" is an eccentric catchy composition to jam out at home. "Water" continues the catchiness. "Samba Briza" is where the jazz instrumentation really shine, break through the limits of death metal and adding something death metal fans thought wasn't possible. What a standout! The waltz-paced "Air" rises from jazzy guitar and cymbal into a riff blizzard. Shaefer's impressive shrieking strike the music down into the snow. Rather than being catchy, the windy music catches the feeling and drags through the breeze. After a bit more fury comes some more commanding jazz.

Self-indulgent progression doesn't work for the rest of the interludes, starting with "Displacement". The semi-thrashy "Animal" adds a more deliberate state of tempo while in a dreamy flow of vocal echoes, harmonies, and bass, a decadent turn through Coroner's progressive thrash. "Mineral" begins mechanically drilling into mathy chaos that they might return with in their comeback album Jupiter. But this was 1993, the year when death metal was adding gothic beauty, think My Dying Bride and Edge of Sanity, whereas Atheist's angelic riffs and bass add their own sexy near-perfection. Searing like the element, "Fire" is probably the best song here, tossing jazz embers into metal-fused inferno, the way that element represents.

"Fractal Point" is another one of the fractured interludes. There's atmosphere added to the relentless "Earth". The last interlude "See You Again" is something I wish to never hear again, like a couple pop songs with that title. However, the title track makes fascinating use of the last 6 minutes. All of the elements, both literal and metaphorical, are combined to summarize their sound entirely.

Elements is an underrated forgotten part of the 90s death metal scene. I've lost appreciation for all of death metal nearly a year before this review, but anyone enjoys original technical death metal should give this a listen to blow their mind!

Favorites: "Samba Briza", "Air", "Animal", "Mineral", "Fire", "Elements"

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