Review by Shadowdoom9 (Andi) for Every Time I Die - Radical (2021)

So what do you get when you blend southern metal and hardcore punk together into a heroic unique style of metalcore? Every Time I Die!! They've observed that timing is everything for the best results. Their radical album Radical was completed in early 2020... Then the virus of damnation attacked. COVID changed everything and prevented concerts from opening. The band waited until they could start touring to release the album, and after playing a couple shows recently, they decided that it was time...

In the human race's battle against the pandemic, Every Time I Die have observed the progress. And finally, the 5-year wait for a new album is over. The 16 songs waiting to be have been unleashed to pummel the world like a raging monster and wipe out the virus for good! OK, maybe not that last part.

A blast right back into their discography, "Dark Distance" will stun you into stone. The band has delivered a furious frenzy in higher heights of heaviness. I've heard that the band took quite a tribute to their previous albums in this one, with that track putting a Daughters-like spin into the sound of their previous couple albums and first couple albums. "Sly" continues the action from both the previous track and the previous album, with theatrical vocal experimentation inspired by Queen. An angry lookback musically at the previous decade, and lyrically at the world, "Planet Sh*t" throw their instrumentation around in outrage like Molotov cocktails. "Post-Boredom" is the catchiest song of the album and probably their most sing-along song similar to Taking Back Sunday, while maintaining their identity. "Colossal Wreck" has colossal intensity. "Desperate Pleasures" takes an approach closer to early mewithoutyou in the political songwriting to add to the hardcore sound as they point their middle finger to the disbelievers and destroyers, to show that the Hell we're in is real.

Up next, "All This and War" is my personal favorite of the album, a throwback to the early 2000s sound of Norma Jean, and I think that band's vocalist Josh Scogin guest appears in that song. Despite this album leaning more towards chaotic metalcore, that song is a midway monstrosity of nu-mathcore. "Thing With Feathers" shows that the band is more than what the title says, spreading their eagle wings into the unknown with guest vocals by Andy Hull from Manchester Orchestra (the band, not the orchestra), creating a daring venture into indie rock, before things get wilder later in the album. "Hostile Architecture" continues the hostile approach from the band's 2009-era approach in wonderful achievement. "AWOL" is basically if Glassjaw performed Converge's masterpiece album You Fail Me, an astounding mix to adore! "The Whip" continues their speed from a decade prior in wild metalcore inspired by early Zao.

Coming in at second place for the best song of the album is "White Void" that could give you the urge to rename this band The Damned Deftones of Shai Visions (try to guess which 4 bands I'm referring to) with each random component miraculously appearing. "Distress Rehearsal" adds some Metallica-like thrash together with the usual mathy metalcore breakdowns. "Sexsexsex" starts off like post-grunge before heading back to what they had in From Parts Unknown with Coalesce-ish mathcore. "People Verses" once again continues where Low Teens has left off, and while still being a rocking hardcore song, this could fit well as the soundtrack for a battle scene in Game of Thrones. "We Go Together" ends the album similarly to Between the Buried and Me's Automata pair of albums, a theatrical metal ending encouraging us to go together.

Many films in a franchise are released 5 years apart because of the long production process, but while Radical didn't take an ultra-long time to make, it's all about the timing, and with the anticipation paying off, there really should be a Best Metalcore Comeback Album award. The outraged monster shall continue its savage ravage and beyond!

Favorites: "Dark Distance", "Sly", "Post-Boredom", "All This and War", "Thing with Feathers", "AWOL", "White Void", "We Go Together"