Review by Daniel for Oranssi Pazuzu - Mestarin kynsi (2020) Review by Daniel for Oranssi Pazuzu - Mestarin kynsi (2020)

Daniel Daniel / December 11, 2020 / 1

Sometimes a release comes along that leaves you wondering what rock you’ve been hiding under. A release whose qualities are so profound that it immediately adjusts the way you think about the world & has you considering new directions that you previously didn’t know existed. I usually find these sort of recordings to be those that question the musical status quo by taking on our stereotypes & showing us that we don’t necessarily know everything just yet & the fifth album from Finland’s Oranssi Pazuzu certainly does that.

I’ve been aware of Oranssi Pazuzu since their 2009 debut album “Muukalainen puhuu” but haven’t really given them much time until now to be perfectly honest. I guess my experiences with other supposed “psychedelic black metal” outfits haven’t been all that positive over the years which is unusual given my huge fascination with psychedelic rock & its incorporation into other subgenres like doom metal, sludge metal, post-metal, stoner metal & drone metal. But the overwhelmingly positive critical response to “Mestarin kynsi” has tweaked my interest & its unusual subgenre tagging has finally convinced me that it would be an interesting discussion topic for Metal Academy so I’ve finally bitten the bullet & awarded it feature releases status for The Infinite off the back of its “avant-garde metal” tagging on other sites.

Sometimes releases that challenge the listener’s existing understanding of what extreme metal can be can taken a few listens to fully grasp & can be real growers but “Mestarin kynsi” hit me from the word go, so much so that I immediately started wondering if I might have to rethink my album of the year nomination with only a couple of weeks left in the year. The sounds coming from my speakers were like nothing I’d heard before but also felt so fully realised that I never felt uneasy or required any sort of adjustment period & that’s the sign of a next level artist. The other thing that sprang to mind fairly early on was just how little justice the genre-tagging on other prominent internet sites has been giving Oranssi Pazuzu as they really seem to be clutching at straws. Psychedelic rock? Really? Can you see fans of The Doors or Jimi Hendrix going nuts over this release? They’d likely run for the hills in terror. Avant-garde metal? Well, yes it is avant-garde by the very definition of the term but that tag is usually reserved for releases that sound inherently weird & that require time & familiarity to get comfortable with. The combination of disparate genres you’ll hear on “Mestrin kynsi” is so well executed that you almost feel like you’ve been listening to this stuff your whole life & I found myself instantly comfortable so I don’t regard that tag as being particularly relevant either. And then there’s the black metal thing. There is absolutely no doubt that the vocals of front man Jun-His fall firmly into the black metal camp. In fact, I’d argue that they’re some of the most definitive & powerful in all of black metal & I think that’s a strong enough statement to warrant the album being lumped in with the darkest of metal genres but I hear very little else that hints at genuine black metal from an instrumental point of view to be honest. Interestingly, the subgenre that I feel has the strongest claim on “Mestarin kynsi” is post-metal & it baffles me that this element isn’t more readily referred to. The lengthy periods of repeated motifs while other elements gradually build around it, the huge crescendos, the use of atmospheric ambience, the fact that the music utilises the signature tools that of metal but has you questioning whether it’s metal at all… all of that is in line with the classic post-metal model & if you replaced Jun-His’ vocals with some sludge/hardcore ones I think you’d find that the public perception would change dramatically, particularly as there are various riffs utilised across the album that sound pretty similar in style to the leading players from the atmospheric sludge metal movement. The psychedelic component is worth mentioning but I don’t actually feel like it’s too strong for the post-metal tag to cover & the same can be said for the electronic element which beautifully colours the music in various different ways but never comes across as sounding overly quirky or forced.

Back to those vocals, one thing that I find truly amazing is that Jun-His can get away with growling & screaming like a demon over this music which doesn’t often hint at black metal’s darkness. The instrumentation has an ethereal beauty about it that I would generally have thought would have been in conflict with your more blasphemic of vocalists (think Deathspell Omega) but here they seem to work perfectly & I put that down to Oranssi Pazuzu having complete clarity of what they’re trying to achieve & total confidence in their abilities to make it stick. I’ve rarely heard a more imposing front man & he really does make this album a lot more appealing than it may have been with your standard black metal fodder. The way the instrumentation builds gradually in subtle ways underneath his unrestrained brutality is a talent that the band milk for all it’s worth with each track obtaining the required crescendo in different but equally abrasive & intense ways. It’s kinda their thing. Sure there are a few jerky transitions included here & there where it sounds like the band have attempted to paste two disparate sections together but those individual sections are simply so compelling that it’s very hard to argue a case against them residing in the same piece. The three tracks that make up the A-side are nothing short of audio perfection & you’ll rarely find a more gripping & transcendent side of metal. The quality does taper of just a touch at the start of the B-side with “Oikeamielisten Sali” being the clear low point of the album but even then it’s a very high quality piece of work & this only leads into further glories over the last couple of tracks with the final climax of long & repetitive closer “Taivaan portti” representing the most violent yet euphoric end to an incrediblly creative album.

“Mestarin kynsi” brings together a large quantity of influences that should have no place together in theory but in practice come across as pure genius. The jangly noise rock guitars, the Massive Attack style filtered electronic bass lines, the krautrock experimentation…. there's even a question around whether a lot of this stuff is even metal but it all works wonderfully well & has left me feeling somewhat embarrassed that I’m only just coming to this release now when it is so clearly something that I should have invested the time in earlier. Oranssi Pazuzu are an absolute breath of fresh air in a scene that’s so chock full of pretenders who are simply trying to emulate their idols. They’re not only ground-breaking but have also presented their unusual sound with such fluency that they still achieve a greater level of accessibility than most extreme metal outfits & this is the key behind their surprising success. I can’t stress enough what a magical experience “Mestarin kynsi” is for a music tragic like myself & I’m genuinely grateful that I’ve discovered it. Better late than never as they say. And yes, this is my album of the year. No one will catch it at this late stage & I’m not sure I’d want them to anyway. It’s a fitting & deserved champion in my opinion.

For fans of A Forest Of Stars, Hail Spirit Noir & Sólstafir.

Comments (1)

Sonny Sonny / December 12, 2020

I would say, for fans of having your fucking mind blown!!