Review by Saxy S for Shining (SWE) - V - Halmstad (2007) Review by Saxy S for Shining (SWE) - V - Halmstad (2007)

Saxy S Saxy S / November 15, 2020 / 0

I typically avoid Depressive Suicidal Black Metal (DSBM) as most of it typically wallows in its own sadness, while being drenched in a cloud that is more representative of Funeral Doom Metal than anything "Black". That being said, I did have some previous exposure to Shining with their 2018 album X Varg Utan Flock, which was a mostly enjoyable album due to its sonic palette being more in the vein of the genre that they are usually tagged under. However, it was an album that faded from my memory, even within a year where my metal exposure was greatly limited.

So going back in time, I checked back in with this band and their 2007 classic, V . Halmstad. And I can truthfully say that I was less than impressed by this. Now in some regards, I can see this record being unique. For starters, V . Halmstad is more in line with what you might expect to hear out of the black 'n' roll scene, highlighted by later groups such as Kvelertak. The riffage is far more conventional and leaning towards hard rock as well as some doom metal from time to time. The vocals are really what make it stand out though. Niklas Kvarforth does not have the presence behind the microphone that one would expect from a black metal album. Instead, the vocals sound half baked as if he cannot even be bothered to say them. Now, this may be apart of the appeal of a DSBM record such as this; a general sense of tiredness from the anger is dependent to make you feel like the depression is weighing him down so heavy that he cannot even be bothered to get out of bed in the morning. And I can respect that attention to detail.

That being said, I would like it a lot more if it didn't sound unfinished and really cheap. Kvarforth's vocals constantly switch back and forth between a tired wail of contempt, and emphatic cries of agony, emphasized by the OOF's that you hear that are reminiscent of James Hetfield on the song "Fuel". Because these two emotions rarely make sense simultaneously, it creates a weird dichotomy throughout the entire album. It's also not helped by the instrumentals and the overall production. Overall, the instrumentals sound clean and focused and make transitions between sections of a song very well. I was thoroughly by the acoustic guitar timbre than filled out the second track on the album. Very reminiscent of some really potent death/funeral doom metal such as Swallow The Sun.

Now I realize that my underwhelming reaction to this album could be in large part due to the language barrier. As it stands, I do not know Swedish, nor will I ever learn Swedish to understand this record on a base level. But I have never been a big fan of DSBM as I mentioned at the beginning of my review. It feels wrong to listen to an album where you know the artist in question is in a state such as this; a large part as to why I cannot stand Korn albums. But with this? I just don't buy it. It just isn't personal enough for Kvarforth or myself to resonate with any of the self-loathing of nihilism. 

As a whole album however, I think I would like it more if it was playing to a different audience. If it leaned towards the more nihilistic side of Doom Metal, I might have been more charitable. As a Black Metal album, it feels less developed than it should, production is not the greatest, and the stakes feel less urgent. For an album that is as close to the brink of destruction as it implies, Halmstad is very safe.

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