Review by Xephyr for Rage Against the Machine - The Battle of Los Angeles (1999) Review by Xephyr for Rage Against the Machine - The Battle of Los Angeles (1999)

Xephyr Xephyr / December 12, 2018 / 1

Sadly, Today Is Not The Day.

The Battle of Los Angeles was my introduction to Rage Against The Machine back when I was young enough that I didn't understand the entire premise behind the music they made. It didn't stop me from enjoying it though, as I would blast "Guerrilla Radio", "Born of a Broken Man", "Testify", and sometimes the entire album through my IPod on bus or car rides. Tom Morello's signature wonky guitar work plus Zack de la Rocha's aggressive vocal delivery coupled with redundant but effective songwriting was something that was exciting for younger me and not much has changed over the years, with The Battle of Los Angeles hitting just as hard as I remember. Intentionally dating reviews is normally a frowned upon tactic as the writer normally wants it to be timeless, but I think everyone can agree that Rage Against The Machine deserves some special treatment, since it's nigh impossible to accurately discuss the band without offering some sort of background on what the world's political and social climate is like. If you take a glance at the date that this review was written...what a time to go back to a Rage Against The Machine album, huh? How in the hell is this album 20 years old and every single one of these tracks still rings truer than ever? 

After going back and properly listening to Rage's debut album, it gave me so much more perspective on this album I enjoyed so much years ago, to the point where I started using adjectives that I never thought I'd use to describe Rage Against The Machine. The Battle of Los Angeles is much more refined and mature than their debut, all while maintaining much of the raw power they had back in 1992. They're also much more tactful and profound in the lyrics that de la Rocha chooses to use, with obvious references and statements being replaced with more poetic and interpretive lines. Their stance is still obvious, don't get me wrong, but very few songs are as straight shooting as something like "Killing In The Name" off of their debut album. Refined, mature, tactful, and even restrained in some cases are words I never thought I'd use to describe Rage, but it works wonderfully to create a powerful but distinctive experience that expands on and goes beyond what the band is known for. They take on a multitude of different topics ranging from slavery, poverty, war crimes, and overall corruption that provides a chilling portrait of all the injustices and toxic beliefs that are still rampant today. While their debut was more of a call to action against unjust practices in the United States, The Battle of Los Angeles seems to focus on raising awareness that certain injustices are still occurring even though people in power try their best to convince us that they aren't. Which is still all too true. 

Even though Rage are a bit more restrained in this album, it doesn't stop them from pounding out some of the best riffs in the band's history, ranging from "Guerrilla Radio's" main riff, the powerful bass riff of "Calm Like a Bomb", and my personal favorite riff from "Born of a Broken Man". While the drums aren't quite as punchy and the bass is pushed a little farther back in the mix, the way the entire production comes together still hits incredibly hard and is the most balanced their sound has ever been. It also has the most variety the band has ever had, which is a huge plus as Rage's song structure remained largely the same for their entire career. Morello's crazy guitar sounds are utilized more than ever, with incredibly unique sounds being used on "Mic Check", "Maria", and "Ashes in the Fall" to give each their own distinct identity. De la Rocha's delivery has also gotten more consistent and has more emotion and dynamics to it, which makes his repetitive choruses have more punch to them, especially on tracks like "Voice of the Voiceless" and "Born as Ghosts". 

Even though Rage better mastered their craft on The Battle of Los Angeles, I think they lost some of the edge that really made them originally stand out. Even though tracks like "Mic Check" and "War Within a Breath" have more layers of songwriting, there's something to be said about an aggressively straightforward approach. Even though the big moments like the end of "Ashes in the Fall" and "Testify" go incredibly hard, I can't help but want something even more impactful than what they gave. The Battle of Los Angeles shows that Rage still had a ton of ideas of how to augment their winning formula without straying too far like they did on Evil Empire, but it's so focused that it burns itself out on repeated listens or even by the second half of the album. While there is still a ton of raw emotion and passion about their cause in here, there's an unhinged quality that I feel like it's missing in certain sections like its bass and drum lines. There's so much on this record that outshines their debut, but the small elements that are missing or slightly weak keep it from being their paramount release.

However, it can't be understated how much this band was able to say about the state of the world and the struggles of so many in twelve short tracks. Rage Against the Machine obviously had a ton to say, and they say it in the most poetic way they were able to here on The Battle of Los Angeles. It's incredibly easy to have a whining, juvenile tone when attempting to proclaim these topics in a genre like Alternative/Rap Metal, so I'm glad the world got a band like Rage to show everyone how it's done. Sadly there will always be problems like they outline in this album and one of the only hopes I can have is that music like this can raise awareness and create more empathy in the world. Maybe someday new listeners can come and review this album in the future and not have to date their reviews to affirm that the world is indeed still a terrible place for those who are wrongfully deemed less worthy by those in power. Sadly, today is not the day that I can look out my window and say that the world has moved on or changed in the slightest. 

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