Review by UnhinderedbyTalent for Sodom - Agent Orange (1989)
Let's start with some context here. By the time 1989 rolled around Sodom had been around for eight years. In that time they had already treated us to their particular brand of blackened speed metal on In The Sign of Evil before hitting a more conventional thrash metal sound on Obsessed By Cruelty and their second full-length Persecution Mania. With Expurse of Sodomy bridging the gap between the debut and the sophomore the band had already set themselves a reputation for delivering some ripping thrash metal with real menace and danger behind it. By the time we got to album number three things really had taken off for the band with a live album and video (remember those?) already released.
Agent Orange is the crowning glory of the bands (near) first decade of existence and for me their career as a whole. For all of its obvious maturity and great structure it retained all of the raw energy that we had enjoyed on previous releases and honed this into a more consistent and robust form. The opening and title track shows this perfectly, probably one of the best opening tracks I have ever heard, setting the tone and tempo for the majority of the album with a chopping riff from the word go. By the time we get to Remember the Fallen we get a cool groovy riff running through the track which breaks up the pace of the record really nicely at the halfway point.
Throughout the album the guitar sits front and centre, with Frank Blackfire's riffs at the forefront of the mix and his leads similarly high in the proceedings also. Angelripper's vocals sit perfectly just underneath the guitar in the mix with his bass audible enough to be a rumbling thunder that never quite cracks into a distraction to take away from anything else. Tracks like Magic Dragon are a great example of the tightness of the band with all parts clear in the sound but none of them dominating proceedings to negative effect, the bass fills the lower stratosphere perfectly allowing the vocals, drums and guitar to occupy the upper realms and sound fully supported.
I think there's an argument to say that Tom's vocals would always give the band a blackened edge even at this developed stage of their career but the sound overall here is absolute classic thrash as the tempo changes between cutting riffs and galloping rhythms to give a real sense of variety whilst maintaining that thrash metal authenticity. The performance of the sadly missed Chris Witchunter on the skins is superb, fully of energy and deft technique.
The punky vibes to Ausgebombt is catchy as fuck and on my CD version which is a reissue it is on CD2 twice as a live track and also as a studio German version so that track is never leaving my head in 2021 at least now. My version also has a cover of Tank's Don't Walk Away which is a superb edition to the album at the end and I would say improves it even more than I first thought possible.
This album for me is pivotal in Sodom's career, firstly because I don't believe they have ever come close to topping it in terms of quality, intensity and variety. Secondly the timing of this perfect record was so important for the growth of the band as I believe without Agent Orange Sodom would not be as important as they are today in the realms of their legendary status in thrash metal. Better Off Dead which is the album that followed this is a pale effort in comparison and I have little memory of Tapping The Vein be anywhere near this record. A simply essential thrash metal record that should be in every fan of the genres collection.