Reviews list for Sempiternal Deathreign - The Spooky Gloom (1989)

Dutchmen Sempiternal Deathreign's total official output is the six tracks spanning thirty-five minutes of this, their one and only album, The Spooky Gloom, which has got to make them one of death metal's most underground outfits. In truth it sounds little better than a glorified demo, but considering the type of ugly, stinking death metal that SD play this is in no way as much of a hinderance as you would think. The Spooky Gloom is an album of doom-influenced death metal with a couple of fairly long tracks, opener Creep-o-Rama clocking in at nearly nine minutes and the brilliant Devastating Empire Towards Humanity, which should be recognised as an early classic in my opinion, at almost eleven. It is punctuated by a couple of shorter, punchier more straightforward death metal offerings, Resurrection Cemetery and Unperceptive Life, which clock in at around two minutes and inject a shot of adrenaline amongst all the filth-ridden doominess. The two longer tracks constitute the first and larger part of the album with the aforementioned Resurrection Cemetery being lodged between them. Being released just a few months after Autopsy's Severed Survival which dabbled with Sabbath-influenced riffs, I think this may be the first true official death doom release. The big draw for me, with my history of doom-worship is obviously the longer, doomier material, but I think it's fair to say that when SD let rip on the punchier, straight-up death metal stuff then they could hold their own.

The band were a three-piece from Gouda in The Netherlands and were apparently all cousins, forming in 1986 and disappearing almost as soon as this debut was released. Drummer Mischa Hak and bassist Victor van Drie went on to join Eternal Solstice and guitarist/vocalist Frank Faase (who was sixteen years old when The Spooky Gloom was recorded) joined Sinister for a very short spell before disappearing from the (recorded) music scene. When The Spooky Gloom was released I think it is fair to say that there wasn't another album like it and that it paved the way for a particularly successful sub-genre of death metal and is extremely important in the development of death doom. The lead guitar is a bit thin sounding it's true and a beefier production job may have aided the doom-ridden vibe, but as it stands it sounds decidedly necro and that isn't necessarily a bad thing in my view. It obviously won't appeal to everyone, especially those raised on modern production values, but for those who prefer to dwell in the foetid sewers of the extreme metal underground it is both a historically important and a damn impressive slab of early, no-fucks-to-give death metal and as such I recommend it to the members of the jury!