Reviews list for Novembre - Wish I Could Dream It Again... (1994)

I've listened to Novembre for a couple months then turned away from this band. Their 1994 debut is probably why. Re-recorded in 2002 under the name Dreams D’Azur, Wish I Could Dream It Again was produced with prolific Edge of Sanity frontman Dan Swanö, and what do we get?... F***ing poor production and execution, that's what.

Now I have heard early Ulver before via one of their black metal albums a year before this review, so I know lo-fi production when I hear it. But this sh*t makes Nattens Madrigal sounds clean in comparison. While it has some nostalgic vibes, it sounds more like a dream than reality, and I don't mean it in a good way. The instrumentation not having enough emotion does not help with the low mix. The harsh vocals sound a little too breathless, but they aren't as bad as the g****mn awful singing.

Not everything has gone down to sh*t though, as we still have some killer tracks with a stable formula, starting with "The Dream of the Old Boats". 5 tracks later, "Swim Seagull in the Sky" starts with a keyboard intro that's more depressing than depressive, but when the guitars roll in, they actually sound more powerful than the monotone that has dragged through most of the other tracks, though the soloing still slightly annoys me. The two-minute ending is perhaps the best moment of this ill-fated album, with all of its f***ing glory. "The Music" is also filled with nice music.

So yeah, that's pretty much all the highlights there. Really. The heavier black metal sections sound too dirty, the cleaner parts are too weak, and... F*** the more acoustic tracks. The album is passible while not really worth returning to at all. If you're looking for other albums of progressive/gothic/black metal, there are way better ones out there. And this was the same band who would make what I thought was a masterpiece in Arte Novecento a couple years later....

Favorites (only ones I like): "The Dream of the Old Boats", "Swim Seagull in the Sky", "The Music"

The 1994 debut album from Rome five-piece Novembre is another release that my younger brother & I stumbled over during the initial stages of Ben's obsession with the doom/death subgenre during the mid-90's. During that period, Ben would regularly bring home new CDs that he'd often bought unheard & based predominantly on feedback from record store staff that were responding to his enquiries around the latest releases to push his new subgenre of choice. One of those releases would be Novembre's "Wish I Could Dream It Again..." which was definitely one of the more unusual records he'd invested in as it's been a misunderstood release over the years in some ways. I remember being somewhat surprised that Ben had been handed this one as it didn't sound much like the other slow & depressive doom/death records he'd been bringing home. It was different enough to intrigue me nonetheless as it's an extremely expansive & inventive album for such a young metal band. If my internet sources are correct then it's been swallowed up by time & a discography that would go on to even greater things but "Wish I Could Dream It Again..." is still the only Novembre record that I'm familiar with & I've returned to it a number of times over the years so I've been looking forward to finally giving it a dedicated review so as to see if it's as underrated as I suspect it is.

"Wish I Could Dream It Again..." was recorded at Unisound Studios in Sweden in October 1994 with legendary Swedish metal figure Dan Swanö of Bloodbath/Edge of Sanity/Pan.Thy.Monium fame behind the mixing desk. The production isn't as polished as one might expect from a progressive metal release & neither are the performances which maintain a looseness that gives the whole thing a little more humanity than it might otherwise have possessed. That's not to say that there aren't some impressively creative & expansive instrumental contributions included here but it's easy to see that this was Novembre's first foray into the studio because it is a little rough around the edges with Swanö's production giving it more of a blackened feel than it's often given credit for. In fact, the links to the doom/death subgenre are almost non-existent on "Wish I Could Dream It Again..." & I can only think that the tendency to paint the album with that brush is largely based on Novembre's later works although I have no personal experience with that material to base that on so it's really only a hunch. Still... the lack of any genuine doom is a little confounding when you see how the album is tagged on other websites. To my ears, this is mainly a progressive metal release but there's just enough atmospheric black metal here to see it qualifying for an additional primary tag in my opinion. It certainly leans quite heavily to the progressive side of that equation but I think it would be an oversight not to alert the public to the obvious black metal component that permeates much of the tracklisting. I mean, just listen to the regular use of dissonant open-string guitar work for example which is taken straight out of the black metal playbook. This is certainly quite a whispy, dreamy & largely unintimidating version of black metal though, in much the same way as blackgaze artists like Alcest only there's no real shoegaze component here.

The tracklisting is exceptionally consistent with no weak tracks included in the lengthy thirteen-track, 65-minute run time. I don't think there are any clear standout tracks though with the quality levels predominantly remaining flat at a very solid position thanks to Novembre's unusual knack for writing melodic extreme metal of depth & originality. If pushed, I'd probably suggest that "Behind My Window/My Seas of South", "Novembre/Its Blood" & "Swim Seagull In the Sky" sit amongst the best material although I certainly still have a soft spot for "Neanderthal Sands" which was my first exposure to Novembre through a Terrorizer magazine cover CD I picked up shortly before Ben made this purchase. I definitely find myself attracted to the more blackened material but have been thoroughly impressed by Novembre's ambitious approach here nonetheless. The vocals of guitarist Carmelo Orlando alternate between an intentionally fairly loose & pitchy indie rock clean tone & a blackened snarl to great effect & I really enjoy the shredding guitar solos that he & fellow axeman Antonio Poletti (Deceptionist/Hideous Divinity) bless us with at times. The drumming of Carmelo's younger brother Giuseppe Orlando (The Foreshadowing/Deinonychus) is the clear highlight of the album in my opinion though as he shows himself to be a very capable musician with the imagination to integrate some very interesting rhythmic patterns & cymbal work at the same time as being able to blast away with power & precision.

While "Wish I Could Dream It Again..." may or may not be Novembre's weakest full-length, it shouldn't be discounted by fans because it's unique & inventive take on extreme metal is a rare commodity in a global scene that's littered with copy-cats. It's surprising to think of just how young these gents were when they put this record together because it's a highly sophisticated effort for the time & deserves more attention than it's received for it too. In fact, on the evidence here I'm gonna have to immediately place Novembre's more widely celebrated records like 2001's "Novembrine Waltz" & 2002's "Dreams d'azur" into my to-do list as they must be something to behold if they're stronger than this excellent debut album that I'd recommend to all members of The Infinite as well as our more open-minded The North members.

For fans of Green Carnation, Opeth & Alcest.

A volte-face to anyone who thinks Doom Metal can’t be energetic and exciting, and a great lesson in what makes true Doom a completely different beast from Trad Doom. Wish I Could Dream It Again is one of the earliest true Doom albums, having zero Sabbathian influence, none of the 80’s Doom groove, and a total focus on somber, melancholic atmospheres. And unlike most prior Doom bands, it doesn’t rely on being consistently slow to achieve this. Lethargic, doomy sections still run through the compositions, but a lot of this material is lively, especially the rhythm section. Simple melodies and morose chords permeate the songwriting, but that drumming ensures a complex and ever-changing foundation to the music.

Novembre also have very melancholic lyrical themes, sticking to the introspective and poetic, drawing upon aquatic, summery and warm imagery across the album in another first for Doom Metal. The sentimental mood here was pretty unique at the time, but the general melancholy on display became a staple for the genre. Doom bands had already begun adopting this focus on gloomy atmospheres, which is how true Doom was born in the early 90’s, but Novembre here upped the ante. This was probably the most melancholic metal album at the time of its release.

As debuts can be, it’s a bit rough around the edges in some places; the clean vocals in particular are quite amateur, though they don’t bother me at all because they perfectly encapsulate that morose feeling of Doom. Either way, a landmark release for the genre, and a great learning experience for those who aren’t privy to the great variation that can be found in Doom Metal.