Helheim (NOR-BE) - HrabnaR / Ad vesa (2025)^{Release ID: 60620}

Now then, here’s an unexpected find in 2025. An album that reminds me of Enslaved, circa the noughties. Still with some of that Viking earthiness about them, but with an obvious smarter edge to their sound, Helheim’s latest offering takes me back to probably the last time I enjoyed an Enslaved record. With the pagan traits of Kampfar added into this mix that also has a rich melodic vein to it also (Windir, springs to mind) and the near clunky transitions of Borknagar, HrabnaR / Ad vesa soon starts to offer a lot in the way of charm to the experienced metal fan. Helheim themselves have been around as long as Enslaved (well, barring a year) and longer than Kampfar or Borknagar, so are hardly new to these sounds of course.

Album number twelve is described by the band as a “groundbreaking release” in the sense that the album was written in two equal halves. One half by V'gandr and the other half by H'grimnir, giving a “bold evolution” to the bands established sound. I will have to take their word for it as I have never listened to any other album by the band, so I can only comment on what I find on here. Whichever half of the record it is that I listen to, Helheim are unafraid to experiment with their established sound. With Hammond organ and grand piano both listed as instruments used on the record, we should not expect endless blastbeats and howls of icy fury throughout.

In this regard, there is an air of predictability to the experimental elements of the sound. Knowing they are traveling an expansive path does not necessarily result in the view being all that unfamiliar in the long run. That’s because they can stay true to their own roots whilst treading in the footsteps of the other mentioned bands already listed in this review. I do not say this as a criticism of the band or indeed the album, as I enjoy the record very much still. It feels accomplished without being cocksure, yet at the same time to call it a “groundbreaking” album seems a stretch in my opinion.

It is well played and produced to a high standard also, doing justice to the various ingredients of the music in terms of letting them all have their moment in the limelight. At forty-four minutes it does not feel too long and still manages to leave the impression of being a well-though out set of compositions that aren’t hurried along at any point. Whilst I cannot pretend to get lost in it, and I do struggle to retain a lot of what I hear (maybe it is a little too much like Enslaved on the backend of the album in particular to stimulate my brain cells much), it is a record that has seen me come back to it out of pure entertainment value. Whilst I may not remember it all, I do still recall it is a good record at least.