Reviews list for Rage Against the Machine - The Battle of Los Angeles (1999)

The More Things Change, The More They Stay The Same

It feels weird to talk about Rage Against The Machine in the modern day. For one, I was very young and impressionable when I first heard the band, and I was all for the "anti-authority" message found within their music. It's the kind of music that angst-filled teenagers would easily flock to as a safe method of releasing anger against their parents, as well as other systems, such as their school, bullies, and other family. Now, over twenty years removed from the release of The Battle of Los Angeles, my view of the world has changed. To keep it brief, I wondered if this album would still hold up.

So I decided to give it another spin. That turned into another, and another, and one more just for good measure. The Battle of Los Angeles is one of my favourite records of all time, and a gold standard when it comes to political commentary and how to do it right.

And while I do really enjoy the self-titled record, that album does feel like a angst-filled teen. This album is much different. It's more refined, both in its content and the music itself. And for themes that are not dissimilar to those found in hardcore punk, one might wonder how the cleaner production and tight knit lyrics would work.

From a production standpoint, these tunes sound superb. Every single song on this record has a definable hook from Tom Morello, a punchy as f*ck bass line, drums that are played with so much force, I start to wonder how many heads Brad broke in recording this. The overall sound feels dampened, but the quality of each members contribution is fully displayed with excellence. And Zack's vocal work is is great as well; the shouting lyrics are clear and precise, but they are not as ear piercing as they appear to be on previous records, specifically the self titled debut. For as violent as Zack can get on a tune like "Sleep Now In the Fire", the vocals are within a definable comfort level; his voice does not sound strained.

I think that the compositions are wonderful. I already discussed how each tune has an instantly recognizable hook from Tom Morello, but credit to Zack for also having some awesome, anthemic leads as well. For a funky record such as this, bass is key, and Tim's part is given more than enough deviance from the guitar parts to make both stand out from each other. It starts right out of the gate with "Testify", carries on with that killer riff on "Calm Like a Bomb", and is relentless the rest of way, through "Sleep Now In the Fire", "Voice of the Voiceless" and "Ashes In the Fall".

But I brought it up off the top and that's the lyrical content on this thing. I'll keep it brief so that I don't piss off too many people (and in this day in age, that might be pushing it). This album, more than any other RATM record, highlights the groups incessant activism towards socialism. They want to see the system crumble as systemic injustices happen all around them, but in their place, promoting their own authoritarian views. They would never admit to this explicitly, but "Voice of the Voiceless" is where you can clue in. The same phrase is used by radical left wing groups like antifa today. 

Why is this important? Well in order to appreciate the music itself, you have to remember that this record was released in 1999, during the last years of Bill Clinton. The album in entitled The Battle of Los Angeles, a majority Democrat state today, that flipped with the election of Clinton in 1992. So this album is an indictment of unjust systems, and they hold nothing back. They go after everyone, and fair enough. It allows for this music to feel universal, as hard as that might be to believe. Because the anti-authority messages are so revolutionary, it makes our "liberal" politicians look weak in comparison. It's also music that stands the test of time; how appropriate given our current situation.

As a whole, I love this record. It's got the grittiness and anger that you expect from the D.I.Y. camp of hardcore punk, but refined to be presentable and sound phenomenal at the same time. This is the band at their "A" game and has stood the test of time.