Reviews list for Anathema - Eternity (1996)

Seemingly at odds with the rest of the metal world, I have never really got on board the Anathema train, being a little bemused at the exalted status they seem to hold in the metal community. This, of course, may be down to the fact that I was out of the metal loop during their earlier days, so I have only ever viewed their metal phase from a retrospective viewpoint, thus being unaware of the contemporary impact of their music and being personally uninvested in their work, a phenomena whose effect is a big influence on what does and does not resonate with us.

The first thing that baffles me about Eternity is it's doom metal tag. I can't hear a whole lot of what I understand as doom metal here, but I do think it leans towards gothic metal. The bass sound in particular comes straight from The Sisters of Mercy, the jangling nature of a lot of the guitar work owes much to The Mission or the early sound of The Cult's Billy Duffy and "Cries on the Wind" even sees vocalist Vincent Cavanagh aping Aaron Stainthorpe's gothic delivery. So I would tag this as gothic rather than doom metal, although that in itself doesn't tell the whole story of Eternity as it also has a very progressive feel and enters into dalliances with alternative metal.

Most of the reviews I have read of the album refer to it as a transitionary album for the band and I get that, because it feels like an album by a band who have found the constraints of the metal sphere too restrictive to allow them to express the emotions and ideas that they wish to convey and who are testing the restraints that bind them. Initially I was underwhelmed by Eternity and felt it lacked bite, but having lived with it for three or four days now and having got underneath it's bodywork, allowing my preconceptions to fall away, it has revealed itself to be quite the tour de force, albeit with a major caveat that I will get to shortly. The songwriting is excellent and is filled with melodious hooks and pensive, reflectively atmospheric moments. The instrumentation is high calibre with a couple of impressive solos that sound restrained and yet still soar majestically over the on point rhythm work in a style not entirely dissimilar to that of Pink Floyd's Dave Gilmour. In fact The Wall-era Pink Floyd crept unbidden into my mind on more than one occasion as brief snippets seemed to be eerily similar to parts of Floyd's 1979 concept album meisterwork, Eternity Pt.2 bearing a particular point of reference.

And so to that caveat I mentioned which is a major stumbling block to me dishing out a top tier rating. The issue that ultimately left me feeling slightly disappointed is the vocal performance of Vincent Cavanagh, which I don't think is sufficiently proficient to express the emotional heft that the material required, robbing it of a lot of it's poignancy as a result. Vincent seems to be struggling at times and is helped out more than once by backing vocals that cover up for some of his shortcomings, but is still a little jarring in places which led to me being snapped out of the spell that the music had been weaving. With a top-drawer vocalist then I would have had no problem dishing out a 4.5 or 5 star rating, because songwriting and instrumental performance-wise this is an album that worms it's way into even my jaded and cynical psyche, providing a melancholic, yet uplifting, sensation that has been artfully crafted, but sadly left bereft by one important aspect falling short. Maybe a further passage of time will see me warming to the vocals, but for now to me this is a classic that got away.

Sonny / October 18, 2024 12:46 PM

Eternity is somewhat of a transitional album in Anathema’s discography (though what isn’t, with how often they changed sounds). This one is quite a big shock though, coming from the Death Doom of The Silent Enigma. Here, Anathema have completely fused Doom and Gothic Metal, and added in liberal amounts of Progressive Rock and ethereal ambience. And that last bit is very important; in stark contrast to The Silent Enigma’s deathly, ominous shadow of despair, Eternity is an ethereal, atmospheric, bittersweet cry of passion.

Although still very doomy and quite heavy in places, Eternity is elegant and airy. This is so well displayed in the intro and following track Angelica. Familiar, plodding Doom drumming and chords back an otherwise heavenly, melodic piece of music, as a slow lead guitar melody weaves through its golden air. The vocals are another important part; so poignant, full of passion, grief, and love. The rest of the album follows a similar pattern, combing the familiar Doomy drumming, guitar chords and general atmosphere of melancholia with nearly the polar opposite in graceful synths and gentle lead melodies, always contrasting this bitter sense of loss with unending love and hope. This was really a landmark release in the more melodic strains of Doom and Gothic Metal.

This one doesn’t get as much love as either the album before nor the many after, and I will never understand why. It was such a unique, unforeseen progression of the Gothic Doom genre and remains a unique and beautiful release. The album sounds super dated, especially because of those cheesy synths, and I LOVE it that much more for it. Even the album cover. It just screams this 90’s aesthetic. Wonderful, wonderful album.