Revenge - Triumph.Genocide.Antichrist (2003)^{Release ID: 4782}

After quite enjoying my revisit to Canadian war metallers Revenge’s 2015 fifth full-length “Behold.Total.Rejection” several weeks ago I’ve been feeling like repeating the dose through another short, sharp bludgeon to the face with a blunt instrument & found myself reaching for Revenge’s 2003 debut album “Triumph.Genocide.Antichrist” which offers a very similar experience. You really do know what you’re going to get with a Revenge record as even the front covers look almost identical but there’s something to be said for consistency in terms of war metal & Revenge continue to deliver.

“Triumph.Genocide.Antichrist” delivers another fairly samey but undeniably brutal collection of eight songs that spread the word about hatred, war & nihilism in a way that may see the average listener saying a categorical “No thanks” to their message but still finding it very hard to look away from the carnage on display. Revenge is really the work of one man in drummer James Read (Axis of Advance/Blood Revolt/Conqueror/Kerasphorus) who has made a habit of surrounding himself with some presumably angry individuals in order to achieve a sound that’s pretty much the epitome of what the war metal subgenre is trying to achieve. It’s raw, savage & unrepentant with Read rarely resorting to anything other than a barrage of shrieks & blast-beats. The performances are (perhaps intentionally) fairly sloppy but the energy levels rarely dip below ball-tearing velocities & precision is not really the point of this niche subgenre anyway.

Since Revenge’s first two E.P.'s we’ve seen Read recruiting an additional full-time band member in American bassist Pete Helmkamp (Kerasphorus/Abhomine/Angelcorpse/Order From Chaos) & the two have brought in guitarist Vermin (Axis of Advance/Blood Revolt/Sacramentary Abolishment/Weapon) to assist with the sessions. It’s very clear that Read runs the show though as Revenge seem to maintain a similar sound regardless of which personnel he has supporting him. The strong grindcore influence that so many of the Canadian war metal bands present is in full force here. In fact, it feels even stronger than with many others on this occasion & so does the involvement of early Carcass in Revenge’s sound, particularly in the guitar flourishes & occasionally vocoded vocals. Comparisons can certainly be drawn with war metal contemporaries such as New Zealand’s Diocletian, fellow Canadian war metal godfathers Blasphemy & Read’s own Conqueror collaboration too.

Overall, I find “Triumph.Genocide.Antichrist” to be a very consistent war metal release that ticks all of the boxes but is noticeably lacking in highlights with every track being of roughly equal quality. This also contributes to the tracklisting feeling a little too samey for its own good. The album is definitely lacking in the ambition department too as the band seem to be happy to simply reinvent a similar theme over & over again. In saying that though, “Triumph.Genocide.Antichrist” will no doubt serve the purpose that most fans of the subgenre are looking for when they reach for a Revenge record so it’s hard to be too critical. “Behold.Total.Rejection” is still my favourite Revenge full-length but this one isn’t all that far behind in all honesty & it certainly hasn’t let me down in any way.