Russian Circles - Gnosis (2022)^{Release ID: 39132}

Instrumental music has a short shelf life for me usually.  I find it really does grate on me a lot of the time especially when it is done during an album that is predominantly showcased by lyrical tracks.  I am not talking about 00:58 duration interludes, intros or outros here though.  I am referring to lengthy tracks of usually repetitive and unimaginative passages that just do not seem to fit.  Bizarrely, when done well enough, I have no problems with whole albums of instrumental only tracks.  Russian Circles of course being pioneers of this style over many releases, yet somehow I had missed them altogether until 2019's Blood Year found its way into my world.

I bought Gnosis on vinyl based on the track Conduit as the only teaser I had heard, having enjoyed the amazing video that accompanies the track.  Whist I accept that for some, this is just an instrumental album and in fact I do agree that any instrumental album can only go so far, at the same time Gnosis goes more than far enough for me.  It strikes me that it manages to speak to me a lot better than many lyrics do in all honesty because Gnosis for me is a very big, very loud and very interesting safety blanket.  My anxiety is off the chart this evening and the warm and welcoming structures of this album have more than proven their value in this thirty-nine-minute window of precious time sat alone trying to rationalise my racing brain.  There is a soothing balm to the fuzzy edges of those guitars and those dissonant chimes that ride over the waves of huge riffs are like the stardust in the rings of Saturn itself.

Mental health assistance aside, Gnosis is a success because it is not only so easy to connect with emotionally but also because it is so intelligently put together.  This sounds like a band in control of their influences and who are able to sustain a tight level of playing with what ever style they throw up.  Whether it is indie vibes, sludgey onslaughts or near death metal-paced riffing, Russian Circles have it all under control and have a knowledge of pace that is fundamental to the triumph of the record.  A psychedelic haziness hugs the edges of most tracks with a grasp that allows the progressive and post-metal structures to really build and thrive.  One of my favourite releases of 2022 so far.

I was first switched onto Russian Circles' new album by Vinny and at first glance it isn't really the kind of stuff I would be falling over myself to check out. Firstly it is classed as post-metal, a genre that doesn't always chime with me personally and, secondly, it is entirely instrumental. I don't have a problem with instrumental tracks, but rarely enjoy a whole album that is completely vocal-free. Fortunately these preconceptions were kicked into the long grass in short order as this is a fantasic record from beginning to end and won me over within a very short timescale. The difference between this and many other post-metal albums I have heard is that this gets on with it and doesn't spend a seeming age building up to a questionably worthwhile payoff.

The guitars weave a tapestry of thick and vibrant sound that sometimes bouys the listener along and other times envelops and soothes them. The lack of vocals actually works well in the album's favour, allowing those gorgeous guitar lines to stay in focus and sparing the listener the distraction that vocals always provide as they are usually pushed to front and centre even at the expense of everything else. There is a certain parrallel to be heard here to some of the more lush-sounding atmospheric black metal acts like Saor or Mare Cognitum with some of their inate epicness seeping through - check out the title track or opener Tupilak to hear what I mean.

I don't know, maybe there isn't enough here to satisfy the usual post-metal fan, but I found it to be a thoroughly satisfying and uplifting experience and it has quickly cemented itself a place near the top of my personal top post-metal albums list.