Reviews list for Evoken - Quietus (2001)

Now that I'm more serious about exploring doom metal, Evoken has become a top priority for their high reputation in my least favorite doom genre: funeral. EVoken bridged the gap between death doom and funeral doom on their debut, already making a name for themselves as one of the darkest bands on Earth since the debut's atmosphere was perfect, although the variety was low. Let's see what they can do with death and funeral this time.

There's a stronger structural touch which is a bit more unpredictable and organized at the same time. That drumming in Burning really added another layer of depth to an already deep and seriously atmospheric song. Thanks to an thin-layer of general creepiness akin to a Blut Aus Nord album, there's a unique touch to this album without losing the deathly vibes of their debut, which makes the vibe of the first two tracks more ghostly than anything. After having heard and loved In Their Darkened Shrines after the second playthrough, I've been itching for more "ghostly" metal. The vibe of Withering Indignation, however, is totally different. The snailish doom has a serious rasp to it akin to stoner metal or a good Boris song. The droning creates a perfect vibe as dungeon-synth backdrops occasionally make their way into the mix. It's a great combination of psychedelic noise and neoclassical ambiance. Tending the Dire Hatred starts by following the same vein as before, but when it switches to a faster tempo, we get a raw heavy metal vibe that switches to tribal drumming like in a Neurosis album. But eventually it calms down into a very dungeon-grounded song when the metal becomes equal to or second to the synth via atmospheric focus. And Where Ghosts Fall Silent seems to switch through several of the previously established vibes in a manner similar to My Dying Bride until settling on a slower death doom sound. The title track builds itself on louder drums and synths for a more menacing approach to its own reverb. But Embrace the Emptiness is pretty much a shameless rehash, even more so than Quietus, even though it was still a good doom song. Thankfully, the final track goes into softer alternative territory while maintaining that reverb-based sadness of the album.

I think this album really showcases the band's willingness to push forward everything that made the first album so good. And while there is still a little sameyness attached, for the most part this highly hypnotic sophomore album proves that Evoken are more than willing to grow so that they can be seen as one of the best in doom. For the most part, I was very pleased with the band's sense of atmosphere, experimentation, emotion and improved variety. This is easily much better than the debut.

Rexorcist / October 05, 2023 10:57 PM

It was my younger brother Ben that first introduced me to New Jersey funeral/death doom metallers Evoken upon my return to metal back in 2009. He could certainly be classed as somewhat of an expert in the darkest & most extreme of the doom metal subgenres & he also knows my taste pretty well so it was no surprise that I found myself totally digging what I was hearing. You see Evoken don't really try to reinvent the wheel with their sophomore album "Quietus". They more or less harness the techniques of their early-90's heroes but do it exceptionally well. In fact, I'd be tempted to place this album right alongside most of them for overall impact & reward.

Evoken have made a name for themselves as being a band that sit very close to the mid-point between the slower & more mournful funeral doom metal of Esoteric & Mournful Congregation & the atmospheric doom/death of diSEMBOWELMENT & My Dying Bride with their extremely consistent back catalogue making them arguably the finest exponents of that sound. If I'm being honest though I have to admit that I've always found "Quietus" to sit far closer to the latter side of that equation, so much so that I've gone ahead & down-voted Funeral Doom Metal on its release page as it really is more of a secondary subgenre here in my opinion. Sure, there are some really slow & mournful sections scattered across its 63 minute run time however there are significantly more parts that draw upon the greats of the death/doom sound for inspiration if you pay close attention. I think it's the dark diSEMBOWELMENT style vocals that tend to fool people into thinking they're listening to funeral doom when a lot of the instrumentation could certainly have come from the Peaceville Three, particularly the drumming which owes a great deal of debt to My Dying Bride. There's a noticeably gothic feel to some of this material that inevitably takes my mind right back to that band's first couple of albums too, not to mention some obvious moments of plagiarism.

The guitar tone isn't perfect however it gets the job done with chuggy, slow & mid-paced riffs of pure doom. The vocals certainly enhance the atmosphere & are generally very well executed however it's the wonderful use of synthesizers that is the real drawcard here for mine, particularly on the lengthier & more epic tracks like "Where Ghosts Fall Silent" & album highlight "Embrace the Emptiness" which is arguably one of the greatest examples of death/doom you'll find. The atmosphere these tracks create is quite wonderful &, even though none of the other pieces are quite able to reach that elite level of quality, there's a strong consistency that flows right through the tracklisting & sees me finding it almost impossible not to dish out a premium rating. You see, Evoken just get it. They know how to create extreme doom metal with a genuinely thick & sorrowful atmosphere & even the tracks that start to drift a bit (see the faster, chuggier sections at the start & end of "Tending the Dire Hatred" for example) are easily recovered once they steer the ship back to troubled waters. If you're a fan of high quality death/doom with a funeral doom edge to it then you owe it to explore "Quietus".

For fans of Ataraxie, diSEMBOWELMENT & My Dying Bride.