Reviews list for Helstar - A Distant Thunder (1988)

Despite holding some mixed opinions on a few of their later releases, I wasn’t terribly impressed with my only significant experience with Houston-based US power metal outfit Helstar’s much talked about 1980’s releases to tell you the truth. It came during my research for the Metal Academy podcast many years ago with Helstar’s 1984 “Burning Star” debut album leaving me cold thanks in no small part to the inadequacies of the vocal & lead guitar performances. You could easily identify the early links to power metal in Helstar’s chunky American heavy metal sound though & I was well aware of just how widely celebrated the band’s late 80’s work was so I always intended on investigating it at some point. Perhaps not as late as has ended up being the case though.

Helstar’s highly regarded third album “A Distant Thunder” sees them returning with a very different lineup to the one I’d heard on “Burning Star”. Front man James Rivera (Destiny’s End/Malice/Vicious Rumors/Seven Witches) is still there although he’s strangely changed his name from Bill Lionel since the debut which would seem to be a good move as his skills have significantly improved since then with none of the pitchiness that plagued that record being evident here. Guitarist Larry Barragan is also back, only this time with a new partner in crime in the little-known Andre Corbin who has replaced original axeman Tom Rogers. The duo seem much more capable too with the theoretical gaps that saw Barragan & Corbin blindly wandering out of key no longer causing an issue here. And finally, the entire rhythm section of Paul Medina & Hector Pavon have been replaced with bassist Jerry Abarca & Frank Ferreira so it really is a very different Helstar from the one that disappointed me many years ago & it certainly sounds it too.

The inconsistencies that marred the song-writing on “Burning Star” have been replaced with a very consistent & blemish-free tracklisting on “A Distant Thunder” & I can honestly say that I enjoyed the whole album to some extent. Helstar’s sound had well & truly embraced the US power metal sound by this stage with the guitar tone possessing a chunkiness that you’ll rarely find in your more traditional heavy metal. The soaring & theatrical vocal delivery is also more in line with power metal while the riffs often verge on speed/thrash metal. In fact, I’d describe the closing Scorpions cover version “He’s A Woman, She’s A Man” as a genuine thrash number that wouldn’t seem out of place on one of our The Pit playlists.

While I generally enjoy all of this material & regard the album as a decent example of its type, I wouldn’t say that it sits all that comfortably with me from a stylistic point of view. The clear highlight tracks manage to get past that obstacle with proggy US power metal anthem “Scorcher” being my pick up the bunch along with the out-&-out progressive metal instrumental piece “(The) Whore of Babylon”. In fact, there’s a fair whack of progressive stuff on the album to tell you the truth with (much like the debut) the riffage possessing significantly more complexity than your average heavy/power metal band was attempting back in the late 1980’s. It’s perhaps not quite enough to warrant a dual tagging but it’s certainly worth noting nonetheless.

If you’re into the US brand of power metal in a big way then I’d suggest you give “A Distant Thunder” the once over as I’m sure you’ll rate it more highly than I do. Fellow US power metal outfits like Liege Lord, Agent Steel & Sanctuary are a good point of reference.