Reviews list for Today is the Day - Temple of the Morning Star (1997)

Today is the day, a very special day... It's my time to try a bit of experimental noise-metal with Today is the Day! I tried reviewing one of their other albums that was an Infinite feature release, but I bailed out because it was too much for me. So let's find out how I'm gonna handle this one...

The 1997 Today is the Day release, Temple of the Morning Star has been known as a noise metal classic, and for its 20th anniversary in 2017, a deluxe reissue was released to include a bonus CD filled with demos and a live concert from the original release year that was released in 2007 but remastered for the album's reissue. It might seem amazing, but if I can stand the noise-ridden music in the original album, maybe then I'll proceed to those rarities. (spoiler alert: I didn't)

The opening acoustic intro starts the album in nihilistic nature ("I am slowly dying, I can’t be what you want me to be, I am dead") to summarize the views of lyricist/founder Steve Austin (not to be confused with "Stone Cold" Steve Austin). A pleasant acoustic start before the cathartic start of the sound that inspires metal acts like Converge and Thou. After that acoustic intro is a sample of Waylon Jennings' "Good-Hearted Woman", then the screaming chaos of "The Man Who Loves to Hurt Himself" starts to frighten those who aren't prepared. "Blindspot" sounds more repetitive in the riffing, but the sirens almost make the chorus sound like Pac-Man. The dark sludge to appear in later albums is hinted in "High as the Sky". My favorite track in the album is "Miracle". It's short but it sums up everything the band has from anger to doom.

The lyrics in the album are far too direct, especially in "Kill Yourself", when he gives clear instructions to take a blade and cut through the wrists, neck, thighs, heart, etc. ("Why hold back!? Kill Yourself!!! Take a blade!! Do it fast!! Do it clean!!!") No thanks! I got a lot to live for and I don't wanna waste my life by bleeding to death. A more experimental sound can be heard in "Mankind". The minimalistic noise rock of their earlier albums returns in "Pinnacle". More of the astounding noise layers come in "Crutch", keeping up the break from the emotional melody before the next track. "Root of All Evil" is a more melodic song in contrast to most of the songs so far, but before the heavier listeners could call it "filler", the powerful crescendo is still in possession. "Satan is Alive" has far more Satanic experimentation than reversed messages. Maybe playing it backwards would summon Satan itself, but do I dare to? NAH...

"Rabid Lassie" continues the melodic groove while still having rabid experimentation. "Friend for Life" is a pointless half-minute acoustic interlude that I want banned for life. Austin does a bit of clean singing in "My Life With You" (while still screaming), a tale of disappointment and demise of his ex-relationship. "I See You" can kinda be a sequel to that previous track, where he ends up seeing his ex in his dreams. We come near the end with the 8-minute doom epic "Hermaphrodite". The ending electric outro ends the album similarly to how it began, but of course more electric and tuned up a semitone. Technically the original album ends after a hidden cover of "Sabbath Bloody Sabbath".

Here's a bit of listening advice; play the album as loud as you can, but only in a soundproof room where no one can accuse you of "disturbing the peace". The only distortion you wanna hear is that of the guitars and not the production quality. The band has aced their sound but I still don't feel ready for more of that noise. Maybe some other day....

Favorites: "Temple of the Morning Star" (both versions), "The Man Who Loves to Hurt Himself", "Miracle", "Root of All Evil", "My Life with You", "Hermaphrodite", "Sabbath Bloody Sabbath" (hidden Black Sabbath cover)