Nails - Abandon All Life (2013)Release ID: 2533
A nasty little burst of abrasive and aggressive grindcore that will give your ear'oles a good pummelling with most of it's ten tracks. It isn't exactly relentless, however as the two longest tracks are delivered at a more considered pace, but it is generally speaking an exercise in nothing less than aural violence. There is blasting aplenty and drummer Taylor Young is given a pretty intense workout, but luckily he seems more than up to the task. The guitar tone is brilliant, aided I believe by Kurt Ballou of Converge who was producer on "Abandon All Life", and maintains a terrific clarity despite it's thick crunchy sound.
The two slower tracks, that is " Wide Open Wound" and closer "Suum Cuique" are, unsurprisingly I suppose, the ones that appeal to me most, as they deliver more on the atmosphere front with looming, menacing riffs rather than just trying to blow your balls off! I guess grindcore records have to be taken as an overall package and the adrenaline-fuelling effect of the majority of the genre's output is the main thing as most of the songs display only minor differences in a lot of cases, and that is the case with some of the faster material here, but those slower tracks do give the listener a foothold into the tracklisting and "Suum Cuique" is actually a very effective, slower and brooding end to the record.
Where it loses marks for me, in what has become a bit of a theme with this month's features, is the vocal department. I prefer grindcore with a vocalist whose vocals are a bit more OSDM sounding like Barney Greenway or Terrorizer's Oscar Garcia and although Todd Jones doesn't actually hit "shouty toddler" level, he still sounds a bit metalcore-ish for my taste. The vocals aren't bad enough to be a deal breaker, though, and on the whole I did enjoy this a lot, it's variation in pacing and generally excellent instrumentation being huge plusses.
Jesus. Fucking. Christ. Where has this record been all my life? There are many injustices littered throughout my time listening to metal, some that border on downright criminal in terms of neglecting true gems of the various sub-genres that branched out from that original trunk back in the day. No amount of pleading for clemency should permit me any leniency in my punishment for not listening to a Nails record in full before this week. What a waste of time the last ten years now feels knowing that this is my first encounter with this incendiary record of punishing, grinding malevolence that contains some of the finest passages of modern grindcore I have ever had the pleasure of listening to.
Grindcore is not supposed to be played this well, or produced so expertly but this record achieves a level of professionalism previously unseen or unheard of in the sub-genre. This is outstandingly produced music that within the maelstrom of raging violence manages to give each part of the instrumentation space to not just breathe but to actually thrive. This accentuates the power in the performances brilliantly. You feel the brevity of the intent here and the whole swarm of mauling aggression that pounds the listener over and over again carries a concision to it that just makes you sit up and take notice - how can anyone ignore what Nails have to say here? This is not just simply a collection of angsty songs, spat with no intent other than to clear the chest cavities of the artists from the hatred, disdain and vitriol that they possess. Abandon All Life is much more than that. This is an invitation to be polluted by the unwavering and steadfast reverence for all that society holds dear and the artist holding the smoking gun is an absolute master of bottling this primitive rage and then letting it explode over anyone in earshot.
The control on the release is just as astonishing, never once does this fall into the territory of just being a messy noise and the fact that two of the strongest tracks are sludge-ridden affairs that show the band do not just need breakneck pace to hammer home their message, they are perfectly capable of mixing the content up and torturing us with a slower tempo here and there to cap a truly wonderful experience.
I have to say that after revisiting all three of Californian grindcore legends Nails’ full-length albums over the last few months I’ve come to the conclusion that they’re really out there on their own as far as the leading grindcore exponents go. No one can touch them in this space as they simply possess another gear to even the most highly regarded of opposition & this sophomore album may just be the high point of the entire movement. Once again we have an extremely short run time at just over seventeen minutes in duration but one that’s dominated by the inclusion of two lengthier sludge metal pieces that take up just under half the run time. Both of these tracks are utterly superb & you get the feeling that Nails might have been one of the greats of the sludge scene if they’d chosen their niche a little differently as they have serious talent in the elusive & highly desirable art of riff creation. The rest of the album is made up of the most extreme grindcore violence you’ve ever heard in your life, only with ultra-clinical performances & a wonderfully powerful production job from Converge guitarist Kurt Ballou. The drum sound & guitar & bass tones are all spectacular & go about tearing your face off in the most efficient manner imaginable. The performance of drummer Taylor Young should be highlighted in particular as the guy is an absolute beast. His blast beats are as pummeling as any in extreme metal & he’s a major contributor to making “Abandon All Life” sound so fucking tight. The only negative I can find here is that I’m not sure I dig the slight change in vocal delivery from front man Todd Jones as much as his other efforts but that’s a small price to pay for what has essentially now become my favourite grindcore release of all time from my favourite grindcore band of all time.
For fans of Full Of Hell, Dead In The Dirt & Trap Them.
