Reviews list for Ulcerate - Stare Into Death and Be Still (2020)

New Zealand death metal trio Ulcerate have been somewhat of a mainstay at the top of my musical ladder since first discovering them through their classic sophomore album “Everything Is Fire” back in 2009. It may have taken me some time to fully come to grips with the dissonant arm of the death metal scene at the time as it still sounded fairly foreign to my old-school ears but once I’d become accustomed to the more textural sonic palate with which these artists draw from I quickly became engulfed in a journey of discovery that found me ultimately placing the niche subgenre up on one of my higher musical pedestals. Ulcerate haven’t released anything that wasn’t of a sublime quality since those initial impressions either which certainly hasn’t hurt. The more traditional brutal tech death of their 2004 “The Coming of Genocide” E.P. may not have been anything terribly flash & their 2007 debut album “Of Fracture & Failure” might well have been more of an interesting transitional release than a record to be particularly revered but ever since that time the band have been in devastating form & have destroyed a great many fragile minds in the process.

Dissonant death metal bands like Ulcerate will inevitably always be at a higher risk of sounding “samey” than bands from other genres. When you make extreme music that doesn’t conform to traditional theoretical structures or melodic sensibilities then it can often be hard to give the song-writing the unique elements required to differentiate themselves from one another. I have to admit that I’ve kinda been waiting for Ulcerate to fall over in that regard but they just never seem to even stumble. With their 2020 sixth full-length “Stare Into Death & Be Still” we find Ulcerate sticking to their tried-&-tested dissonant model but infusing it with enough melody to make it appear to be a complete contradiction of terms. The use of open strings & dissonant chords is undeniably still the root of the band’s evil however they’ve managed to make it sound almost beautiful at the same time which is really pretty remarkable. There’s plenty of variation in tempo with a number of exploratory & introspective post-sludge sections adding layers to the glorious atmosphere. In fact, the slower & more stripped back post-metal sections are inevitably my favourite parts of the album & are responsible for giving each inclusion in the tracklisting its own identity. 

The production job on “Stare Into Death & Be Still” is nothing short of splendid with the layers of dissonant guitars sounding full & lush & the drums offering plenty of clarity, power & brightness. If I had to be critical, I’d suggest that the bass guitar could have been louder in the mix but I don’t think it detracts from the overall product. The composition & execution are simply stunning with the three musicians being given the freedom to take expansive & quite intricate excursions through some of the band’s most ambitious yet strangely accessible material.

The vocals of Paul Kelland are aggressive & powerful, perhaps more so than I remember them being which is a nice contrast to some of the more stripped back material. Sole guitarist Michael Hoggard must have some major challenges on his hands when it comes to live performance as I’m honestly not sure how he could pull off the many layers of dense guitar work that are presented here. I really love the interplay between the different guitar tracks actually & find them to possess an artistic flair that’s pretty rare in extreme metal. While it may be Hoggard who ensures that Ulcerate always maintain some level of accessibility while never losing an ounce of integrity, it’s drummer Jamie Saint Merat that steals the show in no uncertain terms as he’s quite simply unparalleled in skill & creativity. Sure, he can blast 99% of the opposition away with relative ease but it’s the more subdued moments which offer him the most room to move & his cymbal work during these more atmospheric sections is nothing short of astounding. What a drummer this guy is! I’m not sure we’ve seen better in metal music to tell you the truth.

“Stare Into Death & Be Still” is yet another wonderful example of modern death from one of the absolute elite exponents of the craft. It's undoubtedly Ulcerate’s most melodic album to date but its also their most creatively advanced too. I count myself as being a big fan of the dissonant death metal sound these days but I’m not sure I’ve hear a better example of it than this one right here & that includes Ulcerate's most highly celebrated releases like "Everything Is Fire".

For fans of Gorguts, Portal & Baring Teeth.

It is no secret by now that I have a lot ( i mean a fucking lot) of time for Ulcerate.  I have been listening to metal for over 30 years now and I am sadly at a time now were very little excites me in the way of new releases.  I have over-indulged in the past, trying to consume as many new releases as possible in a given year and just ended up stuffed with underwhelming music that makes no impact on what little hunger of mine still remains for the pursuit of new releases.  If I look at the music library of today and compare it with the music library of 30 years ago it is clear that I had a lot less back then, relying on a family member's collection to get me going on my metal journey and saving what little money I had to buy music of my own every few months or so.  Back then buying a record, CD or cassette made me feel excited, awash with the hope that I was about to be treated to several tracks of metal mayhem that would keep me entertained for months to come.  I long for that feeling again more than I acknowledge but what is clear to me is that there are only a handful of bands whose pending releases can make me feel that passion for metal rekindle again.  Ulcerate sit in the top two of such bands (Gorguts lead).

To say I am astonished by the continued development of the New Zealand death metallers is an understatement.  They have consistently put together intricate and involuted music for virtually their entire recorded careers.  Their music is now in such a hybrid state that it is equal parts monstrous as it is complex; impenetrable and labyrinthine beyond any puzzle the mind could fathom yet still conveying enough atmosphere and emotion to speak volumes to me.  The past two releases that precede Stare Into Death And Be Still have been nothing short of superb, with both Vermis and Shrines of Paralysis sounding as fresh and challenging today as they did when I first purchased them.

Putting into words the success of their latest offering is difficult, since depsite multiple listens to it there is still so very much that I am learning about this serpentine coil of explosive and expansive death metal.  It is however an obvious success in terms of it following the aforementioned two albums and it still displays so many trademarks of the band whilst also pushing their sound forwards and in more exploratory directions.  What is massively obvious here in 2020 is that Ulcerate have found the perfect means to apply rich and voluptuous melody to their sound without sacrificing any of their trademark ferociousness and clinical pursuit of swarming and menacing music.  The ariouse nature of some of the music on display across the eight tracks available here border on being dulcet.  They pinch like the disscordance of a Blut Aus Nord yet give a warmth akin to some of the more ethereal elements of Drudkh.  The placement of melody in this huge wall of noise that the threesome generate is in itself a massive achievement.  Musically the album feels like it is shifting like tectonic plates, giving the rumble of impending doom yet when fissures crack they spew canorous jets of calming and emotion enducing moments that temper the overall threat of the album beautifully.

This isn't technical for technical's sake.  It doesn't feel obtuse or showy at any point it just simply smells of well written and well thought out songs that encompass an array of ideas that are arranged to deliver optimal impact.  Quite where it leaves Ulcerate as a musical force is frightening because surey at some point they are going to hit a wall after nearly ten years of flawless music?  I don't have any criticism of the album, which is rare for my grumpy old ass.  The only fear that I have is this unwillingness to consider that I will ever stop being excited as I was as a teenager about the release of any future Ulcerate material, and I hope that they continue with their God like powers for years to come.

As most of you know, I have never been truly appreciative or gripped by the technical side of death metal. I have always viewed it as an excuse for bands to play really fast, without any song structure or composition, to go along with some pretty terrible production that ramps up the volume to eleven without justification.

So I was a little nervous checking out Ulcerate and their new album, Stare Into Death and Be Still. I was told to start out by listening to heir very successful 2009 album, Everything Is Fire before embracing this. And I was intrigued. It was still tech death, but not in the traditional sense of the word. For one, it was pretty melodic, and the production didn't sound like ass. But the album was held back by its songwriting.

So it's been over ten years since that album and what has Ulcerate delivered here? A pretty sweet sounding tech death record where the post-metal elements that were only fragmented before, are highlighted with more frequency, even if I can say that this is certainly not my forte.

For starters, the production on this record is spot on. The percussion sounds tasteful and not like a brick wall of sound, drowning out everything that may come in its way with abrasive trigger bass drum. There are slower, atmospheric sections in which the guitar leads have plenty of room to breathe, which are complemented by pummeling heavier sections with some insane drum work from Jamie Saint Merat. The vocals are big and soaring and match with the instrumental palette very well. I think the bass could be more present throughout the entire record, as it could have made some of these tracks much more open and free.

Which does lead me to my biggest issue with this album: the songwriting. While the fine line between progressive metal and technical death metal is very thin, this is still a progressive metal album at heart. And it suffers from many of my quibbles that I have had with modern progressive bands in the past. Specifically, tracks that sound like long form collections of ideas rather than having a universal connector. As a result, tunes that started off with a lot of promise ("The Lifeless Advance", "Drawn Into The Next Void", etc.) lose steam about halfway through and seem to just end without any resolution.

This doesn't make Stare Into Death and Be Still a bad record. The pure sound of this record is some of the best produced and sonically pleasing technical death albums I've heard in quite some time. But if Ulcerate could include some inter-connectivity in these tracks, they could be something truly special. As it is, they are still teetering on the cusp of greatness.