Reviews list for Enchantment - Dance the Marble Naked (1994)

I hadn't heard of English doom/death outfit Enchantment before when my younger brother Ben brought home of copy of their debut album "Dance the Marble Naked" back in 1994. We were both massively into the then thriving doom/death metal scene & would often surprise each other with new & exciting releases from faraway lands that ticked all of our preferred boxes, often after purchasing them cold or based purely on word of mouth or cover artwork. I think "Dance the Marble Naked" was probably a record store recommendation as the latest release from the metal subgenre that Ben was most passionate about at the time & I say this with a level of confidence because there's a definite flaw with Enchantment's first-up effort that I know frustrates Ben & would likely have prevented him from laying down his cold hard cash had he been given the opportunity to investigate the album's contents prior to making his purchase. I wasn't sure how big a role that flaw was going to play in my first revisit to this record since the 1990's but it's safe to say that I was a little guarded while going into listen number one this week.

"Dance the Marble Naked" was recorded at Academy Studios, West Yorkshire in February 1994 with Peaceville Records founder Hammy handling the production duties & doing a fine job of it too. Hammy had already produced a string of high-quality extreme metal releases from bands like Anathema, Autopsy, My Dying Bride & Paradise Lost so his credentials were pretty much perfect for the task at hand & you can hear a clear proficiency in the way he goes about his craft here with the album sounding crisp, clear & heavy. Enchantment had picked up a six-album deal with Century Media Records off the back of their 1993 "A Tear for Young Eloquence" demo tape which I've not heard before. Sadly though, they'd only get the chance to fulfill just the one record before unceremoniously splitting up, a state they'd remain in until they joined the modern trend of old 80's & 90's metal bands reforming many years later in 2019. They've since gone on to record their sophomore album "Cold Soul Embrace" a full twenty-eight years after "Dance the Marble Naked" first hit the streets but I'm yet to hear that particular release, perhaps due to my recollections of the struggles I experienced with the debut so many years ago. 

Enchantment's sound was not anything new for the doom/death scene. In fact, it was very much in line with what we'd already grown to know & love from the Peaceville Three with much more time spent on emulation than genuine creation. There are so many familiar moments on "Dance the Marble Naked" but the execution is nothing short of excellent so it's hard to be too critical, despite the regular feelings of deja vu I experienced throughout my three listens over the last few days. Enchantment rarely stray from the tried-&-tested doom/death model much either, although there are moments when they hit on a more classic death metal riff & head down that road for a while before reverting back to a doomier model. The gothic edge that their fellow countrymen had become known for is readily available here with the clean spoken word sections having clearly been borrowed from My Dying Bride's Aaron Stainthorpe & being quite effective too. Instrumental closer "Meadows" is the only track that deviates from the self-imposed confines of Enchantment's subgenre of choice as it takes more of a Smashing Pumpkins-style alternative rock direction & does it pretty proficiently too, making for a pleasant end to an otherwise consistently depressive doom/death record.

Now, that all sounds generally positive, doesn't it? But let's get to the elephant in the room which is front man Paul Jones & his cringe-inducing death bellows. I've heard a lot of death growls & grunts over the years but rarely have I heard them sound like this, nor have I wanted them too. Jones sounds completely out of his depth as he fumbles his way through a succession of forced & incompetent accompaniments to some otherwise more than serviceable instrumentation. Some tracks display his failing worse than others but even the stronger material included is considerably less effective for his involvement & I struggle to see how his band mates managed put up with him for so long to be honest. Actually, if I had to guess as to why Enchantment ended up splitting so early in their recording contract then I'd likely find myself pointing directly at poor Paul. It's a real shame because the other four band members do an excellent job here & show themselves to have a very solid understanding of what made the early 90's doom/death scene so exciting. If the band had of opted for almost any other death growler then I think they could have been quite successful, even if they had missed the boat a little bit by arriving on the scene a few years too late to be discussed in the same terms as the founding godfathers of their sound. The fact that none of the other band members would go on to contribute anything else of note to the metal world makes this an even greater tragedy.

"Dance the Marble Naked" includes eight songs & spans around 43 minutes in length with only one track (i.e. "God Send") having been re-recorded from the "A Tear for Young Eloquence" demo tape. The album opens with its clear highlight track in "Kneading with Honey" which left me with some hope for an improved experience this time, despite Jones' obvious failings. Sadly though, things would descend fairly quickly from there with only the previously mentioned "God Send" & "Meadows" offering me much in the way of appeal as I was simply unable to see past the uncomfortable feelings that Jones' inadequacies instilled in me. "Of Acorns That Gather" is a particularly hard pill to swallow but most of the other material showed great promise, only to see Enchantment's dreams of underground success unceremoniously dumped into a bottomless pit by their unforgiveable selection of Jones as their front man.

Ben has often mentioned "Dance the Marble Naked" as the finest example during discussions about otherwise high-quality records that have been completely ruined by some inappropriate vocals & I'm afraid that I have to agree on this occasion. Unfortunately, I don't think that this will end up being a matter of personal taste though & I challenge any doom/death tragic to say that they can accept this flaw that has ended up being a complete deal-breaker for me. The fact that the album has still achieved a reasonable score is simply a reflection of how competent the rest of the band are as well as how well produced Enchantment's debut was. 

For fans of Castle, Anathema & My Dying Bride.