Reviews list for Comecon - Megatrends in Brutality (1992)
I first came across Swedish death metallers Comecon at Neuropath vocalist Mark Wangmann's house way back in 1993 when I noticed a cassette copy of their debut album "Megatrends in Brutality" sitting on his bedroom side table. Upon questioning him about it I was advised that the album featured Entombed/Nihilist/Firespawn/Morbid legend L-G Petrov behind the microphone which tweaked my interest & I ended up borrowing the tape so that I could create a dubbed copy for myself. Upon getting home & whacking it into my tape deck I found that Comecon offered a crust punk-infused brand of death metal that was built around the guitars of band leaders Pelle Ström (also of Swedish thrashers Agony) & Rasmus Ekman with the drums appearing to have been programmed. It sounded OK but wasn't something that offered me a lot of long-term appeal so it didn't receive too many return visits after the first few days. We're now over thirty years down the track & I just noticed that the "Megatrends in Brutality" is still yet to receive a rating at the Academy so I've committed to breaking that drought with my first revisit since I was just a teenager.
The production job on "Megatrends in Brutality" isn't too bad which gives the riffs enough weight to offer full value for money. I will say that the drum machine sounds come across as pretty clicky & primitive though which does detract from the enjoyment a bit, particularly given that the programming itself isn't exactly the most sophisticated you'll find with fills & rolls being kept fairly minimal. Blast beats are utilized sporadically across the tracklisting & usually match up with the more hardcore influenced riffs of which there are plenty on offer, so much so that I feel that the album is deserving of a dual tag with deathgrind. I can't say that I've ever thought that Petrov's vocal delivery was anything particularly special but he does a reasonable job here without ever really threatening to create anything worthy of a highlight reel.
The tracklisting begins quite well with three of the stronger inclusions kicking off proceedings before things start to go down hill through the middle of the album. There are a couple of decent numbers towards the back end of the record (particularly album highlight "Omnivorous Excess") but it's not quite enough to save "Megatrends in Brutality" from the abyss as it simply doesn't deliver consistently enough to be worthy of a mention in a period when death metal was at its absolute peak, both creatively & commercially. There's nothing too awful included but one feels that if not for Petrov's contribution then Comecon would likely not have registered the slightest blip on the extreme metal radar. As a result, I'd suggest that "Megatrends in Brutality" is for Entombed superfans only.