Reviews list for System of a Down - Toxicity (2001)

After gaining a huge cult following with their self-titled 1998 debut, System of a Down exploded worldwide with their 2001 follow-up, 'Toxicity'. With nu metal at its peak, the band's sound was perfect to appeal to fans both old and new, and with one absolute colossal hit, they were ready for worldwide mega stardom.

Following on from where their previous album left off, 'Toxicity' is a fast, furious and frantic release that refuses to let up for a single moment. The chemistry between the band members is incredible, with special mention to unique and eccentric vocalist Serj Tankian and guitarist Daron Malakian's erratic and intense guitar work. Right from start to finish this is a relentless assault on the senses.

Of course, this album is best known for one song, and we all know what that is, don't we? 'Chop Suey'. With its unusual lyrics and unique vocal style, 'Chop Suey', besides being one of the most well-known, beloved and recognizable metal songs of all time, transcends the metal genre. Such is its reputation that non-metal fans love it too!

However, there's more to this release than just one song, and 'Toxicity' is absolutely overflowing with hits. 'Prison Song', 'Science', 'Deer Dance', 'Jet Pilot', 'Bounce', 'Psycho' and 'Shimmy' are all incredible songs that are definitely worth a listen, and then there's the title track and closing track 'Aerials', which were both released as singles and, while not as well known as 'Chop Suey', have still gone on to become metal classics in their own right.

With the release of 'Toxicity', System of a Down became one of those few bands that are truly in a league of their own, and who’s future will forever be defined by this record. A monumental success and one of metals most revered albums, there's really no excuses for not hearing this by now!

Nu-Metal gets a bad reputation from metalheads and music critics alike. And rightfully so; it's the kind of music that would have been an easy sell for the prototypical angsty teenager who hated their parents during the 1990s and especially into the 2000s. System of a Down was one of the few nu-metal bands (along with Deftones) that were cool to like. Partially because their music was unlike that of so many replaceable bands of the time.

And when the band released there 2001 album, Toxicity, it was received with almost universal praise, some going on to say that it would survive the annals of history to become a heavy metal classic. Let's just say that, if we're talking about it in 2020, then I guess the critics were right.

Let's get to it. From a sonic perspective, Toxicity is a fruitful album with some very cool ideas not explored on the bands self titled debut. For starters, the vocals of Serj Tankian are more balanced overall. There is a lot more sung melodies here, which do compensate for some less than stellar instrumentals. The few moments of unfiltered aggression that we get are controlled and fit in wonderfully into the songs themselves. The band is also incorporating more oriental sounds in their music, which is partly based on the groups Armenian heritage.

The production is solid, if a little wonky. Rick Rubin has a tendency to blow out mixes with overproduced guitars, and tunes like "Prison Song", "Bounce" and "X" are not safe from this. They make for a very jarring listen, while songs such as "Chop Suey!" "Forest" and "Aerials" are more controlled. The percussion is not overpowering and this allows for the softer sections of these songs to give the listener a sense of reprieve before the heavier grooves kick in again. And the bass is super impressive as well.

As for the vocals, Serj Tankian is a vocal powerhouse and his virtuosity is on full display here. Daron does have the occasional lead part and shows up for some background vocals on the singles "Chop Suey!" and "Aerials", but his presence is not as prominent on later records from the group; records which I enjoy a little bit more than this.

I think what makes Toxicity stand out is how different it sounds in comparison to many other nu-metal records of a similar time. It is still clearly nu-metal with its fast vocal delivery, chugging riffage and very simple song structures, but it feels so far removed from the "scene" of the time with its vocal timbre and lyrical themes. In summary, I do really enjoy this record and I'm glad that it is remembered so fondly by metal fans. I will not call it their best, but this group made a landmark statement that is still relevant today as it was nearly twenty years ago.