Reviews list for Car Bomb - Mordial (2019)

Mordial

Car Bomb, in my opinion, has made some of the most experimentally chaotic mathcore in the right way, and with their progressive/djent influences, it would be accurate to describe them as The Dillinger Escape Plan gone Meshuggah/Gojira. Mordial is their latest album and one of their best to showcase that sound in all its aggressive glory.

Mathcore and many other "core" genres you just can't take with a grain of salt. You have to let your ears embrace the assault that would leave you hungry for more of its golden violence. If you thought these mathcore Long Islanders have reached their pinnacle on Meta, Mordial successfully adds more of the crushing power and maintains their perfect streak. There's also a bit of Deftones-like alt-metal influences within the chaos.

Let's start with "Start"! This 45-second ambient synth intro could easily be the theme for the horror film. Any first-time mathcore listeners would get jump-scared anyway if not prepared for the 180-turn into intense chaos in "Fade Out". Yet there's that soft clean chorus to fit in with what's appealing to hardcore listeners these days. Still the metallic mathcore can warp faster than the DeLorean going 88mph. "Vague Skies" is an unforgiving sonic crusher. The breakdown in "Scattered Sprites" is more than just that, it's a total guitar meltdown before a dissonant yet melodic solo played on what remains of those guitars. "Dissect Yourself" is another perfect quantum-physical mathcore track that can shoot more powerful than planet-destroying laser beams! Think of this like Gaza, Gojira, and the more brutal Lamb of God all mixed in one cauldron.

"Xoxoy" continues the headbanging heaviness complete with another breakdown before a space-dreamy clean section in the middle. This record wouldn't be accessible without "Hela" is a basic mathy metalcore song that's isn't too bad. Good break from the unique heavy intensity while keeping a bit of it. "Blackened Battery" is also unforgiving with their time signature changes. This really displays their Metallica influences, with the title coming from two Metallica songs, and different sections paying tribute to "Blackened" in the most mathcore way possible. It's like cheese, crackers, and milk, a few separate things that make an awesome combination!

The title track starts a bit unusual with soft guitar that is almost a tribute to another classic thrash band Sepultura. Then it's back to the drum pounding business. There's even a clean break that has a bit of a dubstep vibe. The guitar breakdown sounds weird yet effective. The soloing would surely put Van Halen's "Eruption" to shame and futurize it. "Eyecide" displays wider influences including a black metal-like tremolo. The second-to-last and longest track of the album, "Antipatterns" ironically has its own pattern in the structure. It starts heavy again with a breakdown before building up and collapsing into a cinematic ending of operatic synth reverb. The heat begins to cool down... Until the finale, "Naked Fuse"! Even the chorus is heavy while not as chaotic as the rest. Once again it slowly builds up into a breakdown then gets heavier until a final buildup that abruptly ends with a brief heavy riff.

So this is another album that's intense, but is there anything different? Well, Car Bomb has leveled up a different sound in metal by adding a more chaotic sound for the guitars. You can barely even tell what's from the guitar sometimes. The confused first-time listeners would be wondering what the h*ll they went through, but it takes time and patience to fully grasp something that would surpass the bizarreness of Captain Beefheart's Magic Band from 50 years prior. It's certainly stronger than that! The tempo can slow down without ever going out of sync. Mordial is a 5-star head-twisting mathcore tornado, that's what it is!

Favorites: "Fade Out", "Scattered Sprites", "Dissect Yourself", "Blackened Battery", "Mordial", "Antipatterns"

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Shadowdoom9 (Andi) Shadowdoom9 (Andi) / January 15, 2022 07:50 AM
Mordial
Wow, this is definitely not my cup of tea. If you were to take the musical nothingness of deathcore and remove all of that "death metal" stuff, and replace it with more time signature changes than an Oceans Ate Alaska album, you'd probably end up with something like Mordial by Car Bomb. This album doesn't have very much in the way of memorability, since it seems to transition, without warning, between six or seven ideas on each track, meaning that any melodic phrasing or passages are quickly forgotten about, since they are never returned to.  
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Saxy S Saxy S / January 02, 2020 07:57 PM