Reviews list for Ozzy Osbourne - Bark at the Moon (1983)

I'm nowhere near into solo Ozzy as I am into Black Sabbath, and I know I'm not alone in this.  Because of this, I've spent very little time in Ozzy's solo career.  Up until today, I had only heard his first two albums.  I really think it's about time I stopped putting both solo Ozzy and solo Dio off and gotten to a couple of their albums.  But I'll keep this brief.

I was glad that each song felt a little different at times.  Some were pretty speedy like the title track and (ironically) "Slow Down," some were more about the beat and biker attitude like "Waiting for Darkness," and songs like "So Tired" added a more symphonic and melodic side, steering itself away from typical power ballads by keeping the gothic vibes of the album intact.  There's also some time for raw creepiness a la Alice Cooper, like on the song "Spiders."  But I think what really made the album so enjoyable is that all the melodies are very strong.  It seems to be a major focus on the album where everything else, including the variety factor, seems to work around the melodies.  And this leads up to the album's only flaw: stylistically and structurally, it's a pretty typical 80's heavy metal album.  None of the songs are bad, but thanks to this, it comes nowhere near Paranoid as a whole.  In fact, its typical structure is also why I'm keeping this brief, because there really isn't a lot stylistically that's unique enough to talk about.

Well, I'm largely impressed with this album.  From what I can remember, this seems more focused on doing different things with typical heavy metal songs than Blizzard of Ozz.  This is a great continuation of a solo career built on two great albums, and I highly recommend it for any metal fan that wants darkness in their music, even for extreme metalheads.

Both of Ozzy’s first two solo records had ended up becoming heavy metal classics which was more than partially due to the contribution of the ridiculously talented neo-classical guitar virtuoso Randy Rhoads. Unfortunately Randy was tragically killed in a light plane crash 1982 which left Ozzy & Sharon Arden with no choice but to rebuild Ozzy’s career with a new lineup. Thankfully Sharon is as tough as nails & she was able to pull Ozzy through this dark period & the result is 1983’s “Bark At The Moon” album. Ozzy had recruited Night Ranger guitar shredder Brad Gillis, Quiet Riot bassist Rudy Sarzo & Black Oak Arkansas drummer Tommy Aldridge for the “Diary Of A Madman” tour & the recording of his 1982 double live album “Speak Of The Devil” however Ozzy’s alcohol problems had been exacerbated by his grief over Randy’s death & he had taken a lot of his frustrations out on Gillis which resulted in him quitting the band at the end of the tour. Sarzo, who was originally recruited on Randy’s recommendation due to their prior relationship in Quiet Riot, also decided to leave the band after becoming disillusioned following Randy’s death so when tasked with the prospect of writing a new studio album Sharon & Ozzy needed to think long & hard about who would be the best fit to not only perform on the album but also to write it. The answer came in the form of 26-year old guitar shredder Jake E. Lee who had previously spent some time with both Ratt & Dio. Incidently, legendary Dokken shredder George Lynch was the other potential candidate & regardless of Lee’s undoubted skills I’m an absolutely huge George Lynch fan so I can’t help but feel that they made the wrong decision here . Strangely, former bassist Bob Daisley who had previously been unceremoniously axed from the band agreed to write & perform on the album too which is quite hard to believe given that he’d previously gone on holidays at Ozzy’s request only to find that he’d been replaced upon returning. If you look at the liner notes of the “Bark At The Moon” album you’ll see that all song-writing credits sit with Ozzy this time though. Bob apparently took a one-off payment for his credits while Jake was blackmailed by Sharon. She threatened to fire him & get another guitarist in to record his songs if he didn’t agree to sign over his portion of the song-writing credits. Such a nice chick!

The result is in many ways very similar to Ozzy’s first two albums but in others very different. Firstly, the production job on “Bark At The Moon” is incredibly ove rthe top featuring an extremely dated 80’s sound covered with cheesy Don Airey keyboards that make this album sound very much of it’s time. In fact I’d go so far as to say that this is the main reason that “Bark At The Moon” isn’t rated as highly as Ozzy’s earlier material. The other is the lack of Randy Rhoads but that’s not to say that Jake E. Lee doesn’t do a stellar job here because he certainly does. His style is a much more traditional heavy metal one but he’s clearly been heavily influenced by Randy in his improvisational approach to his rhythm guitar tracks. But the exotic neo-classical melody isn’t there & that’s what most people consider to be the missing link here. Personally I really like Jake’s performance as he’s got great technique & his sound is very exciting & very metal. In fact I find him to be the best thing about the album so I’ve never understood why some people seem to downplay his ability. I’ve never been a huge fan of Bob Daisley’s bouncy basslines however he’s now dropped those more minimal half-time efforts I took issue with on the first two Ozzy albums & his contribution is much more to my taste here even if I’d have much preferred to hear Rudy Sarzo. Tommy Aldridge takes a much more restrained & rock solid approach than he did on “Speak Of The Devil” which is a shame as I’d have loved to hear him play some more expansive stuff but it fits the songs pretty well regardless & ironically reminds me of Vinny Appice’s efforts on Black Sabbath’s recent efforts.

Musically “Bark At The Moon” features some great metal riffs that would comfortably have fit on “Blizzard Of Ozz” or “Diary Of A Madman”. Ozzy’s performance is par for the course although as the music gets cheesier with the additional keyboards Ozzy sounds more & more out of his comfort zone in my opinion. It’s only on the darker numbers that he seems to fit comfortably as his voice just doesn’t suit the more melodic stuff as well. The song-writing is as solid as ever but like earlier records we again have a horrible ballad in the middle of the album that brings the flow of the record to a grinding holt. I’m also not too fond of the pretty dumb “look at me, aren’t I a bad ass” approach of “Rock ‘n’ Roll Rebel” as it comes across as lacking any sort of artistic credibility.

When all is said & done though this is a pretty good Ozzy album. It’s just not a great one. If the keyboards were more restrained & tasteful with some less bombastic arrangements we might be talking about it in the same breath as Ozzy’s greats but that element really does bring it down a couple of notches. All fans of the classic heavy metal sound will find some enjoyment in the album anyway though. The performances are great & there’s quite a few fun metal tunes to be found if you don’t take things too seriously.