Review by Shadowdoom9 (Andi) for Ten After Two - Truth Is... (2011) Review by Shadowdoom9 (Andi) for Ten After Two - Truth Is... (2011)

Shadowdoom9 (Andi) Shadowdoom9 (Andi) / October 20, 2025 / 0

Some discoveries may have an interesting backstory from my perspective. When this Ten After Two album was added to the site, I realized that its cover art is a lot similar to that of Bullet for My Valentine's Fever. They both have the same "bobcut hand-bra girl" image! Coincidence? Rip-off?!? I have no idea, but it made me up to checking out this album, which is good but somewhat generic...

Ten After Two first entered the scene with their EP If You Don't First released the prior year. The scene being "Risecore", referring to Rise Records bands that blend heavy breakdowns with clean choruses. In their only album to date Truth Is..., they take those aspects and crank them up a notch.

The beginning track "Yes" has what to expect from Risecore. Hardcore screams and falsetto cleans fill the track up to the brim. Although the riffing is interesting, that's not really an opening song to remember. Then "Before You Know It", this second track dominates further. The cleans are increased and in a good way. The vocalist has fantastic range in both his singing and screaming. The guitars are worth hearing for all their technicality to balance out with the breakdowns. "Dead After Dallas" continues the well-done vocals. Sadly, it's brought down by the sh*tty lyrics. Yeah, 80% of those lyrics are pretty bad. I would like that track more if it had an instrumental version. "Satan's Slumber Party" is heavier and has much better lyrics, "I've never felt so alone or so alive, I call this one my favorite strain, the ambulance showed up too late".

Bring the pace back up further is "Anxious". It's a quick heavy track right from the intro, soon leading to a catchy chorus and a haunting synth-infused breakdown. "Well, Oh Well" is also good yet losing the earlier heavy energy. Really making up for the album's mistakes is the title track which is the best highlight here. Everything is done perfectly in the guitars, lyrics, and chorus. The absolute pinnacle of the album, and that's my true opinion! An interesting track follows, the accurately titled "Interlude in D Minor". Just some eerie guitar with background noise, which is fine but not interesting.

The awesome "The Awe Song" is another one of the best tracks here. But then it leads to another one of the worst, "A Sight at Sea". It's just clean pop-ish filler sh*t that sounds bad in both the music and lyrics. Now I'm wishing this album would be over, in case another f***-up comes on. Fortunately, the closing track "Believe Me" isn't that. More of a scream-less power ballad starting with soft piano, but it's done in a way that pleasantly surprises me. Still not really the best though.

This young band (and I mean YOUNG, they were in their late teens) have made good effort in this album, despite the g****mn generic filler. It's too bad they split up after this album, but can there be more potential if they reform in the future?! That would be great! But I guess the truth will remain out there....

Favorites: "Before You Know It", "Satan's Slumber Party", "Anxious", "Truth Is...", "The Awe Song"

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