Review by Shadowdoom9 (Andi) for Worm Shepherd - Ritual Hymns (2022)
Adding symphonic black metal elements to deathcore is something that has been done for over a decade, but this kind of sound has been popularized by Lorna Shore and several other bands have been following their lead. I'm sure Worm Shepherd have been following that band's footsteps since before the "To the Hellfire" boom, having formed on the day Lorna Shore's Immortal came out, and releasing their own album In The Wake Ov Sol later that year. And now comes their second album, Ritual Hymns!
Worm Shepherd has a little more maturity than other bands in the epic deathcore league. The writing is tighter and darker. The guitars and keyboard orchestrations are in an awesome balance, the latter they know how to use wisely in their brutal sound for a perfect experience of death and glory.
The opening title track is a solid grand example of that band. The atmospheric keyboards are quite effective while letting the heaviness shine. It's like a bridge between the Lorna Shore tracks "Immortal" and "Welcome Back, O' Sleeping Dreamer"! Then we have "Ov Sword and Nail", another crushing highlight. The breakdown and vocals are balanced out with occasional small experimentations like the bass intro. When each member has their own moment, it shows that the vocalist isn't always the leader, unlike other deathcore bands. "The Raven's Keep" would've been as much of a highlight as the first two tracks, but its early fadeout is kind of a small issue. Small enough to still maintain the album's perfect score. The song itself is one of the more blackened tracks here with its rapid pace.
More ideas roll in through "Chalice ov Rebirth" including another b*lls-out breakdown. As great as that is, I feel like there could've been slightly more momentum in the track. I feel like the inclusion of guest vocals by Lucca Schmerler in "Blood Kingdom" is a bit odd, though it doesn't affect much. Abuse allegations aside, his vocals rule in the band he was once in, Mental Cruelty. The symphonics shine the best in "Wilted Moon". That epic highlight is almost a redux to the Lorna Shore track "And I Return to Nothingness".
We have more monstrous vocals in "A Bird in the Dusk", from vocalist Devin Duarte and guest vocalist Scott Ian Lewis (Carnifex). Despite being hard to tell apart, it adds quite a difference to the usual delivery. "The River Ov Knives" has some cool occasional cleans. If anyone thinks clean singing only belongs in melodic metalcore/emo bands like Black Veil Brides, they're dead wrong. "Winter Sun" can almost be a deathcore tribute to the band Wintersun with its blackened symphonic power metal-ish guitarwork. It might just be the strongest epic deathcore album ending track!
Ritual Hymns is another true definition of symphonic blackened deathcore. You really gotta enjoy the tight serious writing. While Lorna Shore hasn't done anything new since their album Pain Remains released later this year, Worm Shepherd is still active, and I look forward to exploring more of this band's material and the epic deathcore realms!
Favorites: "Ritual Hymns", "Ov Sword and Nail", "Wilted Moon", "A Bird in the Dusk", "Winter Sun"