Reviews list for Kamelot - Karma (2001)

Power metal has always been the ginger-haired stepchild of metal. It’s cheesy, and full of corny lyrics about mythical lands and beings going on wondrous adventures. Lame, right? But occasionally, a band comes along who does away with the speed-metal roots and wailing vocals of the genre, and releases something with a bit more depth and substance.

Enter Kamelot, with their fifth studio album, 2001’s ‘Karma’, the group have really hit their stride, with a refined sound and more polished song writing, this is where the band truly begin a streak of strong releases that establishes them as one of symphonic metals true champions.

Building upon what they’d started with 1999’s ‘The Forth Legacy’, ‘Karma’ has a very rich sound that gives the band an amazingly fantastical feel. Brimming with lavish orchestrations and exotic musical influences, Kamelot have slowly stepped away from the medieval themes of past albums and gone for a more varied, worldly sound, and it works well with their upbeat and energetic performances. Special mention must go to vocalist Roy Khan, who’s incredible voice works very well with the music and gives it a warm and wholesome sound.

With highlights such as ‘Forever’, ‘Across the Highlands’, ‘Wings of Despair’, all three parts of a trilogy entitled ‘Elizabeth’, and the beautifully emotional ‘Don’t You Cry’, it’s clear that here is a band who, after a few albums tweaking their sound, have finally found their identity and established a style befitting a band named after the home of the legendary King Arthur. Kamelot may not be for everyone’s tastes, but if you’re okay with a bit of fantasy and majesty in your music, then this is definitely worth checking out.

Kamelot's rocky history has practically come to a close with Karma, the album where they master all of the essentials of power metal and create something iconic.  It becomes clear that Kamelot recognized their mistakes from the previous album yet again, despite the fact that there was only one mistake on the brilliant Fourth Legacy: it wasn't very heavy.  Well after the intro, you're just plain blasted with heaviness.  Kamelot improved their technique in that respct, but the music itself is just as brilliant as The Fourth Legacy, if not more so.  And Kahn feels much more comfortable in the music he's singing for, so the lack of metal in his voice is adjust slightly to fit the melody so that he no longer has to struggle to go hand-in-hand with his softer voice in comparison to the vocal giants of metal.  And the rest of Kamelot didn't even have to adjust their playing for that purpose at all, just the heaviness.  Songs like "Wings of Despair" might feel standard, but the instrumentation makes up for that.  The ONE flaw of the album is that the music still feels standard for power metal, and it's noticeable.  But it's not enough to detract from the quality of the album and the noteworthy improvements the band went through.  Kamelot's Karma is a perfect album for power metal bands to draw inspiration from.